1999. The latest from Richard Bone, his followup to The Spectral Ships on Hypnos -- music in a serene and meditative style. (Total Time: 54:40)
Track listing, including MP3 sample clips:
01. The Induction of Gilbert Abbott
04. The Letheon Men
05. Peripheral Nerve
06. The Incubus Wave
07. Lucidity Soul
08. Plateau to Level 30
10. Society X
11. The Shadowing Wall
"Top 20 'Best of 1999' List."
"Top 20 of 1999."
--Scott Raymond, WVKR radio
"Space Music 'Top 40 of 1999' List."
--Lloyd Barde, Backroads Music
"Top 20 All-Time CDs."
--John Zorko, Falling You
"Meditation/Ambient Music Top 10 of 1999."
The Raging Consciousness Desk
"The ambient electronic genre has been heavily colonized by dance and world
music, a fact that makes Bone's pure, gauzy synthscapes seem fresher than
they might otherwise. His evocative, almost primitive sound harkens back
to the purity of Eno's Music for Airports. Very little happens, yet
somehow a spell is cast."
--Keyboard Magazine, Jim Aiken
"After spending a couple of albums in the electronica lounge, Richard Bone
returns to his ambient home in this CD of slow, dark, shimmering
soundscapes. Bone has a nice touch on synthesizer, recalling Steve
Roach's early drift works like Structures from Silence."
--John Dilberto, Echoes Radio Host
"Etherdome is definitely a very fine album and balances out beautifully the
more experimental offerings on Hypnos with a smooth, refined and intimate
ambient album, unfortunately aren't made that often. Beautiful."
"...his best yet: not too dark, not too light, not too melodic, not too
--Cliff Tuel, on the Space Music mailing list
"Unlike The Spectral Ships, Richard's previous work
on Hypnos, which gets quite dark at times,
Ether Dome has a fine balance between
pure atmospheric tracks and predominant melodic ones.
The fact that stands out is Bone's ability
to achieve the maximum effect
with repeating occasional minimal patterns
of seductive synth sounds."
Inner Space Radio, Zagreb, Croatia
"Richard Bone is a god - let's be honest about it. How else can you
explain him recording four albums as good, and yet as different, as
Electropica, The Spectral Ships, Coxa, and now,
Etherdome, all in the
course of just two years? I have used up my thesaurus on this guy. I
have no superlatives left. Oh well, time to repeat myself.
The man of a thousand (musical) faces has released Etherdome, a stunning
ambient album. Leaving behind the darker shadings and noir textures of
his earlier The Spectral Ships, Richard traverses into warmer and more
spacy territory. Sounding like a hybrid of James Johnson, early Jonn
Serrie and the more electronic side of Tim Story, Richard creates a
emotionally soothing yet sonically challenging collection of songs that
somehow are vintage Bone yet also refreshingly new. (Damn, I gotta get a
Song titles are deliciously obscure (at least to me) but the music
contained on Etherdome is wonderful. The album opener, "The Induction of
Gilbert Abbott," has floating piano-like notes counterpointed by
swirling lush washes of synths and synth choruses. It's a classic space
music track for sure. "Unawakened" begins with some quasi-Tim Story
minimalism, as a subtly muted electric piano and synth entertain a
delicate yet beautiful simple refrain, soon joined by low key synth
strings. As the album progresses, songs continue in a relaxed yet never
soporific vein. Trust a genius like Richard Bone to record an album that
can be this serene while still infusing the music with enough
"quirkiness" (sorry, couldn't resist) to keep it away from any new age
noodling or over-the-top relaxation excesses. How does this guy do it?
Of course, this wouldn't be Richard Bone if some stuff here wasn't
really unique (the idiosyncratic "The Letheon Men" which is about as
dark as this album gets - and that's not very dark). On several cuts,
for example, "Peripheral Nerve" with its subtle semi-vibes, the astute
listener may even pick up shadings reminiscent of Coxa. "Lucidity Soul,"
likewise, could also be a cut on Coxa, but slowed down - way down!
"Plateau to Level 30" does have a small amount of spookiness to it, with
its use of "breathing" effects, but later in the song major key synth
washes bring the song back into safe territory. "Silverwake" is,
perhaps, the best cut on the album. With two different minimal piano
lines and underlying gentle synths, it just fills the air with pure
Since this is a Hypnos label release, it's sonically perfect with
excellent mix and top-notch production and engineering, as well as label
head Mike Griffin's characteristic starkly beautiful CD layout and
In case you haven't gleaned this yet, Etherdome gets a super huge thumbs
up from me. Positively a "must get it NOW" for all ambient lovers and,
in my opinion, space music fans as well. Richard, I'm beggin' you.
Please. Do not release any more masterpieces for awhile. I gotta give my
brain a rest from coming up with adjectives. Could you maybe do a
Partridge Family tribute album - there's no way that even you can
salvage that, or can you?"
--Bill Binkelman, Wind and Wire
"Fantastic cd, this. In terms of the quality of the music,
but not neccesarily the sound, it reminds me of the first cd of
Vidna Obmana's Memories Compiled 2. Very gentle drifting ambient
would be my very vague but positive opinion."
--Jamie McNair, Ambient Music Mailing List
"On the Etherdome CD Richard Bone presents us with 11 tracks meant to
nourish and calm the listener. Without a doubt the most uplifting of all
the Hypnos label releases, Etherdome is at once beautific, elegant and
simple yet thankfully absent of the typical new age grandeur and posturing.
The knowledgable listener will no doubt notice the influences of EM greats
Hans-Joachim Roedelius, Brian Eno and Cluster as well as Bone's skill in
producing an album of character, sensitivity and charm."
Star's End Radio, WXPN, Philadelphia
"Etherdome, multi-faceted synthesist Richard Bone's second in a series of
atmospheric albums on the Hypnos label, is a warm yet mystery-filled work
exploring several different musical approaches.
Some tracks, like the album-leading "The Induction of Gilbert Abbott," have
a planetarium-esque feel to them, with shifting, spacey sounds and deep
voices welling up out of the fog. "Plateau to Level 30" is among the best
in this regard, with its distant, vaguely percussive sounds breaking up the
Other pieces take a more conventional, melodic synthesizer approach.
Sometimes this is successful, as with the contemplative "Unawakened." In
other places, Bone falters, as with the misdirected smooth-jazz track, "The
In general, Etherdome is working within a fairly well-worn paradigm of
synthesizer-based, meandering soundscape, yet Bone finds ways to make this
music feel new, perhaps through his unusual mix of softness and austerity.
Adding another chapter to the diverse musical output of Richard Bone, Etherdome
is worth exploring for space/ambient fans and Bone fans alike."
--Ujamaa's Ambient Experience
"Richard Bone's visit to an early medical site (where modern anesthesia was experimentally
developed) "conjured up images of souls drifting in and out of consciousness". With this vision, he
created his own Ether Dome to capture the ephemeral, transportive state of slipping away
The operation was a success...
Dr. Bone administers his recommended dosage (11 tracks) of space music,
that is inner space music, the songs of the mind and soul as they slip into an
ether-induced state of weightlessness (and beatlessness).
Lush choral "ahhh"s are swept by synthetic breezes and painted with slow,
diffused notes as The Induction of Gilbert Abbott sets the tone for this
dreamy collection. With perhaps a slight hint of melancholia, Unawakened
(3:05) floats on a shifting sea of soft tonal activity and synth string mists. The
muffled e-piano sounds of Calenture are somewhat reminiscent of Bone's
"loungier" works (as found on Coxa or Electropica) as transformed through
the anesthetizing filter of ether, slowed down and softened.
Strangely distorted voices announce the prescence of The Letheon Men;
between their bubbly murmers, strands of synthflow morph and swell with
slow-motion grace, to be joined by hushed piano notes. The Peripheral
Nerve extends through a region of ethereal keyboarding, sweet shimmers and
a buzzy current of energy. The Incubus Wave's breathy gusts of synth meld
with flowing currents, rolling tones and odd, organic (sorta goose-like, actually)
Warmly wafting streams wash placidly atop the Plateau to Level 30 (6:15),
while windy undertones blow beneath; soon a meditiative sequence of pillowy
notes is applied. Ebbing and flowing, the sounds of Society X emit from a
steamy core, spiraling outward with brassy resonance. As trilling whisps flitter
skyward, The Shadowing Wall pulses with rippling, shifting soundwaves and
Richard Bone's tour of the Ether Dome brings back the
rewarding mental souvenir of 55-minutes of free-floating
sounds which are both ambient and musical. You don't have
to be semi-conscious to enjoy these 8.4-rated sessions of
--David Opdyke /
"Richard Bone is a musical enigma. One minute he is doing bossa
nova music, the next minute he is doing dark ambient music like
his prior Hypnos release, The Spectral Ships. This time around,
he finds himself again exploring ambient terrain, but the mood
on Etherdome is more reflective and surprisingly beautiful. I
wouldn't normally expect to use the word restraint in describing
the majority of Bone's work, but fans of Harold Budd and early
Eno should find this a welcome addition to their collection. On
"Calenture," soft piano and plucked bass are laid delicately on a
bed of swirling sound pools. The atmosphere is cool and calm.
Softer still is "The Letheon Men," which borders precariously
close to new age without quite stepping over the edge, thanks to
a healthy dose of ambience washing over the pretty lead lines.
A little more abstract, but still quite peaceful, is "Peripheral
Bone's influences from other musical arenas creep in, but only
occasionally. "The Incubus Wave" includes some slightly jazzy
electric piano chords, but throughout Etherdome the music is
firmly rooted in the ambient territory that Hypnos is known for.
In fact, the music here may result in the coining a new term,
"light ambient," to add to the burgeoning flood of subgenres in
contemporary instrumental music. This is a perfect album for
late night listening, right before bed. The CD becomes
progessively quieter and more soothing with each subsequent
piece, though the energy does pick up slightly on "The Shadowing
Wall," which has a delicate pulsing beat set against some nice
solo piano. Sit back, relax, and enjoy."
Wind and Wire Magazine
"In the very short time that has passed since its foundation, the Hypnos
label has succeeded in gathering almost all of the current major purveyors
of classical ambient under one umbrella - Vidna Obmana, Jeff Greinke,
Robert Rich and many more essential names now regularly release recordings
under its imprint. Another, undeservedly lesser-known name is that of
Richard Bone, in my ears one of the more entertaining electronic musicians
in the States today. "Entertaining" because of his playfulness and ambition
to flex his creative muscles in different genres. Electropica took on
bossa-nova to fine effect, while his first release on Hypnos, The Spectral
Ships, was a brilliant thematic effort at dark ambient.
With Ether Dome, Bone turns to somewhat lighter atmospheres. "Meant to
reflect moods that occur as consciousness slips away", this latest CD harks
back to his first excursions in ambient with Ambiento and The Eternal
Now. In contrast with the "typical" ambient template, Bone simply cannot
resist a good tune, and all the pieces here feature beguiling melodies
drifting among the sythesizer sweeps, significantly enhancing the pleasure
principle. Spacey, soothing, suggestive."
--Stephen Fruitman, Umea Sweden, on the Ambient Mailing List
":sparse clouds of melodic ambience:
Richard Bone's musical history includes dalliances in electropop, mamba,
vintage jazz, Bossa Nova, and more. With Ether Dome, he delves into cosmic
ambience, though it is an ambience laced with a minimal, melodic foundation.
The eleven tracks profess to "reflect moods that occur as consciousness slips
away." I find myself drawn to the more almost experimental tracks, as well
as the tracks that communicate a delicate, fragile beauty. From the former:
the primal aural ascension of "The Letheon Men," a synth in observance,
peering into a frozen, (Island Of Dr.) Moreauesque abyss, crystals resonating
in response to the moody synth; and "Plateau To Level 30," odd sounds
flitting through the background, as the synths raise the listener to the
plateau in question, an undercurrent of breathing present throughout. From
the latter: "Unawakened" with its sad, frail piano line, synth slivers gently
sliding into the smooth ivory crevices; and "Calenture," despondent synths in
reticent resignation, occasional piano filling the crevices here, slipping
off into realms of mental mist... The tracks are slow to build, the minimal
synth/piano interplay lingering unobtrusively. Reminiscent of the calm
(though sometimes lightly jostled) onset of dusk, or the disintegrating dream
--Outburn Magazine, JC Smith