We’ve decided to put another round of random picks on sale this month, with the low prices being good through February 16th or while supplies last.
“A concert that lasts one night. A journey … inside of yourself … in the enviroment … from midnight to dawn … between waking and sleep.. A rite .. hypnotic melodies, ancestral sounds. Dozens of people in their sleeping bags … to navigate the dream … together … The experience of sleeping concert made by Enten Hitti here is the album that sums up in a nutshell the atmosphere of those nights.
Brooding industrial atmospheres, and deep dubby beats. Very thoughtful and highly addictive. If one needs a soundtrack to impending fall that works excellent on the headphones as well, there’s plenty of reasons to get acquainted with Danny Kreutzfeldt. If one is to define the music on Counterperipheral, one senses Kreutzfeldt is an admirer of german Pole, whose crackling glitches, slow cinematic pulsations and cropped up silences to some extent is repeated on this album. But rather than copying Pole´s formulas, Kreutzfeldt reinvents them through his own industrial sensibilty. The dubby warmth of the german is almost nonexistant in these tracks, whose soundscapes, resounding metallic pulsations and crackling effects seem to describe large, empty and windy cities with starlight sharp as ice picks. Had Fritz Lang still lived to make movies, Kreutzfeldt could, in other words, have been an excellent provider of the soundtracks. If the above description gives the impression that the music of Counterperhiperal is static and heartless, you’d better think again. On the contrary Kreutzfeldt, on long, panoramic tracks such as “Cloud” and “Channel”, which both last for more than fifteen minutes, is pretty skilled at keeping the interest going through dicreet musical changes and delicately placed details, that seem to cross in and out of focus. On top of that, the sound has a surprisingly organic character. Sure, it’s digitally treated and generated, but Kreutzfeldt´s ability to use errors constructively and create spacious sensations does make one feel the human presence behind the keyboard. A presence, which is more likely to sigh than scream through the massive alienated, industrial moods, that are being conjured. Actually the album appears to be describing a sort of inner autumn – an atmosphere, which is both pleasant and scary to be absorbed by. Counterperipheral is the sort of record, that relates to the coldness and apocalypse through a kind of stoic, elevated tranquility. Because of that it etches itself into your memory despite its discreet mode of expression. -databloem.com
Two hours and a half of music collected on a double CD set that also contain a DVD video. Two long tracks of sublime and evocative pseudo-abstract and multicoloured ambient textures, built with discreet and repetitive background microstructures layered with continuous and infinite variations worked out from clusters of sounds and sketches of melodic sequences made of light sonorities, delicate and quiet as well, but also hypnotic and warm… Fragile harmonies and mild dissonances in a timeless sonic continuum that enfolds and rocks the listener, among infinite spirals and floating waves in an everlasting movement… Another new, mind-boggling masterpiece, absolutely unmissable for all the lovers of Michael Mantra’s music. -Silentes
Unbound is veteran ambient musician Forrest Fang exploring lush and abstract terrain under the Sans Serif moniker. Using very small – at times microscopic – sounds as source material, Fang utilizes a vocabulary of long shimmering tones that gradually warp, mutate and transform over the course of a piece. -projekt.com
A beautiful and powerful expression of friendship, loss and the artistic spirit. On this new offering, composer and creative force behind Darshan Ambient, Michael Allison, once again expertly navigates the fine line between poignancy and elation with his trademark melodies, chord structures, and instrumentation. Fans of previous Darshan Ambient albums will not be disappointed. The classic ambient spaces are certainly present, and Allison’s signature rhythmic flair and strong melodic sensibilities are in full bloom on this effort. There are also some stronger, more straightforward elements such as electric guitars, heavy drums and orchestral programming that bring a satisfying intensity to key moments of the album.
Ezdanitoff – We Bring Light –$6.99
Extreme and uncompromising electronic stimulations, vibrations and synthetic pulsations floating off, disturbing buzzes and algorithmic waves in expansion, fragmented and deconstructed Synthetic Chaos… But also hints of hypnotic unfinished musical sketches, clips of embryonic melodic sequences, fragments of human voices, oscillating electronic pads, distorsions, improbable synthetic clones of nature sounds and noises… An intransigent work of disturbing and destabilizing electronica by Wouter Jaspers and Frans de Waard, especially recommended to listeners from other worlds… -silentes.it
“…Excavating the sonic crust with heavy synthesised drones, trebly buzzes and popping bursts of sound……eerie as hell.”
-Darren Bergstein, I/E (from review of original release)
“After unearthing the original tapes, Martin Franklin has created all new mixes for this Faria Records release, including previous unheard sections, re-interpreted and enhanced for the 21st Century listener.”
Set between a passive, rolling, drifting beauty and the eviscerated android guts of a more extreme Industrial music, this is dream music to inspire the worst of nightmares. Raw electrics (too raw to be electronics) buzz, boom and sizzle against a charming backdrop, sharing centre stage with nerve-jarring loops and creative electronics to form ever-transmuting, floating patterns, mutant soundscapes and dehumanised acid baths of softly rolling noise. This truly is a hybrid of two extremes – the harsh, raw electronics of extreme noise and the warm welcome of smoother passive music. It takes you to places which are simultaneously pacifying and threatening, sweet and sordid. Edgy, raw and often quite beautiful. –Bonnicon at discos.com
Empetus is full blown sequencer-based music illustrating a further evolution in the visceral side of Roach’s music. Nine precise pieces that still sound fresh today. A favorite of sequencer music lovers. Released in 1986, this recording of intricately-woven sequencer lines and buzzing synthesizers established Roach as the American answer to the pioneering European electronic masters of the ’70s (Klaus Schulze, Tangerine Dream). Alternately thrilling and serene (sometimes within the space of the same track), EMPETUS’ waves of energy rest upon labyrinthine patterns of interlocking notes and wildly cascading tonal clusters. Roach varies the moods from piece to piece as well: the bright, piercing electronics of ”Seeking” contrast vividly with the starker, sweeping veils of sequenced notes and arcing waves of ”Empowerment” or the turbo-charged synths that rev through ”Conquest”. It’s all riveting, exciting stuff, and although Roach largely abandoned the style as he moved forward, EMPETUS remains an important, if largely unsung, statement documenting the course of modern American electronic music.
Deison / KK. Null – Into –$6.99
Penetrating “Hi-tech” music, always on the border between sound, silence and noise… Splinters of sonic fragments, buzzings, electronic hisses, pulsations, hypnotic loops, ambient textures, sudden rays of light… A kaleidoscope of syntethic sounds and digital glitches, in a universe dominated by binary codes, that evolves through the cold-hearted control of sophisticated algorhythmic mutations programmed by human entities that already reached a level beyond the borders of our earthly knowledge… -Silentes
Rapoon – Just Say the Faith –$6.99
‘Just Say The Faith’ was first issued on limited edition vinyl by Soleilmoon in 1998. Now this landmark recording is being made available on Compact disc. While an undeliable impression was left in :zoviet*france:, Robin Storey, a founding member of that seminal group and the man behind Rapoon has continued to leave giant footprints across the landscape of darkambient music. ‘Just Say The Faith’ comes from a very cold and damp place, perhaps inside an ancient abandoned church, where long shadows fall across gnarled tree roots and forgotten voices echo from dusty corners. The colors are black and brown, the elements are Earth and Water, and the season is most certainly Autumn. With each release Rapoon moves farther into a darker, more medieval Europe. The ergot mold grows thicker each year on the rye berries and the ghosts dance their crazed rites, all leading to this strange and mysterious album. ‘Just Say The Faith’ has its roots in noise and music and rhythm and drone, all combining to produce an exquisitely melancholy atmostphere. Along with all the material from the vinyl edition this CD reissue contains two previously unreleased songs, ‘Blue Sanctions’ and ‘Low Touch,’ as well as an extended mix of ‘Missionary Bones.’
Saul Stokes – Abstraction –$5.99
First release by Saul Stokes on the Green House label. Combines never- before-heard live performance elements into a soundscape collage — a very fresh sound that’s different from his Hypnos releases…. more “abstract,” as hinted by the title.
Says Stokes: My latest release “Abstraction,” fuses the best of 3 years of concert recordings with my latest multitrack atmospheric work. From Philadelphia to Seattle, this album is a fireball of ambiance. “Abstraction” isn’t a noise collage, or easy listening ambient fluff. It is an incredibly listenable, wildly fresh and inventive continuous play album.
“Electrical appliances today are taken for granted by our culture, but not by Saul Stokes. Dubbed everything from Sonic Innovator to (in jest) “Popular Science’s Electronic Musician of the Year”, Stokes stands out in his field by having designed and built his own array of museum quality electronic instruments. This achievement enables Stokes with precise control over his original sounds and textures from the AC plug all the way to the PA speakers. But this is about more than just wires and solder. While Stokes demonstrates unprecedented real-time control over the output of his gear, inspiration for his music comes from an outlet on a more human scale. The intimacy of the concert stage is where Stokes transforms his craft into art. The immediacy of the moment, the consistent pattern of change and the spark of inspiration all act upon Stokes as he produces continuous currents of sound for a spellbound audience. At these rare and wonderful events, harmony takes a backseat to timbre as determiner of the emotional content of a piece. Constantly adjusting the tonal qualities of the composition by ear, the direction of a piece can change at will as the schematic of the performance is updated and changed by Stokes moment to moment. Although faded from his consciousness, the audience plays an important role in his music too. According to Stokes, these compositions cannot be realized outside the intimacy of the live environment. The new album Abstraction, compiles highlights from several such occasions. Each track is born out of vision, craft and spontaneity and strung together one after the other to form a virtual concert. The album flows smoothly through a contoured electric landscape of distinctive pads, drifting pitches and atonal synthesizer effects. Abstraction is a cerebral album that seductively draws the listener in, leaving you to find your own way out.” – Chuck van Zyl/STAR’S END