Weekly Sale Item: Weightless, Effortless

This week’s sale item is Hypnos compilation “Weightless, Effortless,” which we’ve temporarily marked down to just $5.99 through July 27th.

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The 2nd Hypnos compilation follows early 98’s landmark THE OTHER WORLD, one of the most acclaimed ambient/atmospheric compilations ever, which won numerous “Top 10 of 1998″ and “Best Compilation of the Year” awards. WEIGHTLESS, EFFORTLESS consists of 9 exclusive new tracks by some of the most noteworthy artists in this genre, both established figures and unknowns deserving of more attention. The contributors each created an expression of a central theme: that of existence without desire or struggle, indeed without intention.

The resulting pieces express a restraint, a purity and simplicity, all to uncommon in music today. Even if you listen without regard to the theme unifying these pieces, you’ll find WEIGHTLESS, EFFORTLESS to be a wonderful sampler of some of the finest artists working today. There is a continuity between tracks, as though all the material were composed by one mind. Yet despite this smooth continuity, each piece is an expression of a unique creative voice, and conveys strongly what is distinct about that artist’s personality. Let WEIGHTLESS, EFFORTLESS take you to a place that is without ego and without wanting.

Includes work by Steve Roach, Kevin Keller, Rod Modell, Ma Ja Le, Loren Nerell, Dave Fulton (of Dweller at the Threshold), Dean DeBenedictis (of Surface 10), Scott Fraser, and James Johnson.

“This is one of the better collections of electronic ambient, atmospherica, and mood-altering pieces. Nine morphs offer glimpses into the creative woodshedding by the likes of Keller, Johnson, DeBenedictus, Ma Ja Le, Modell, Fulton, Norell, Fraser, and Steve ‘the legend” Roach. (Roach is everywhere anything ambient goes down! Ever notice that?)

Ambience tripping herein doth vary from bizarre excursions into unsettling dimensions next door to peaceful drool-worthy dronings that decimate all conscious thought. Otherworldly, manipulated noise, wordless digital vox, cutting-edge goodies await the listener. Many the indescribably eclectic waveforms are mapped inside.

Hypnos is one of the best sources for consistently innovative and strong ambient releases. No “puff job” here, folks and no, Mr. Griffin sends EER no payment for saying so – it’s just a fact to be stated. Weightless, Effortless is just one more great Hypnos release.” –John W. Patterson, EER

“Best of 1999 list (ranked #2).” –Sal Espana, Soundscapes radio KCPR

“Jackpot. Here without a doubt is one of the best collections of meditative music of 1999. Listening is, indeed, effortless. A limpid sequence of calm environments and cosmic quests are created by big names (Loren Nerell, Steve Roach) as well as a string of talented lesser-knowns (James Johnson, Dean De Benedictis, My Ja Le). Without artifice, these tracks possess an allure both simple and direct, conveying a powerful lightness which takes over the listener, carrying through until the journey is complete.” –Via 2, Orleans, France [translated from French]

“:Adrift, but with purpose; ambience with tattered wings:

Ambient: 1. completely surrounding; encompassing: ambient noises 2. moving freely; circulating: ambient air. Hypnos is a label out of Portland that specializes in music that embodies the term ambient.

Weightless, Effortless gathers known and unknown artists, all under a veil of unrestrained, unlimited access to explore the shape of sound in it’s purest sense, the shape of space (of the room, of the heavens), the shape of infinite sonic exploration…Not only are the artists conscious of the timbres of silence (there is always sound, no matter the illusion of silence), there seems a willingness to apply the imagination (not always a given within a genre that, when uninspired, can induce somnolence), as well as incorporating the elusive persistence of time, the ticking of Forever winding effortlessly askew. Highlights include Kevin Keller’s “Anicca,” opening with telepathic thought whispers, huge slabs of sonic urban decay (a disorientating meandering through the out of sync ambience of a crowded, undefined environment) that branches out into space, forests, tunnels and other interconnecting corridors of sound; Dean DeBenedictis’ “The Mocking Of Consequence,” a track painted with broad brush strokes, the brush in question filthy with dirt, slivers of metal, radiowave voices, and other oddities, the imperfections a vital part of the all-around ambience: it is a product of everything, filtering out none of the impurities, the tainted elements as much a part of the piece as the synth’s caressing the background; and Loren Nerell’s “Liquid Metal Stasis,” a dark, gurgling excursion, deep metal chiming desolation’s cold embrace, while underneath, impetus drives the engines of existence. A vital addition to any ambient enthusiast’s collection.” –John C. Smith / Outburn Magazine


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