We’ve got another item from our Binary sub-label on sale for you this week, and we’ve marked it down from $10.99 to just $5.99 through August 24th.
OUROBORUS by Dweller at the Threshold is the first Binary release by a group whose members include Dave Fulton (whose collaboration THE MOST DISTANT POINT KNOWN with Hypnos founder M Griffin was released on Hypnos, to much acclaim, in 2000), Paul Ellis (whose solo album INTO THE LIQUID UNKNOWN is the Binary label debut, also released this month), and John Duval.
“Once again, the past comes to our rescue with the Dweller at the Threshold release Ouroboros. As so many of today’s artists in electronic sound have been influenced by the classic cosmic music of the 1970s, so has Dweller at the Threshold. The great thing about DatT is that this group has captured the mood of the era without becoming a cliche. DatT explores this realm of music while retaining their own true voice. Due to their unique approach to music and technology, DatT produces compositions that are distinctly their own. Sure, present are the syncopated electronic rhythms, haunting mellotron leads and unearthly morphing effects we look for in good spacemusic, but DatT produces all this off-center enough to give the attentive listener a refreshing pause. This is achieved by more than just a comprehension of the historical aspects of creating spacemusic, more than just the how of making sounds and what goes where, Dweller at the Threshold understands deeply the ultimate purpose and meaning of this music.”
— Chuck van Zyl / STAR’S END
“…a great listen, IMO; lots of variety…”
–Bill Binkelman on the Ambient Music mailing list
“Densely mixed to perpetuate a seething cloud of charged particles, this music layers gritty tones and lush textures, generating a flow that surges with growing harmonics as it moves steadily toward pinnacles of sonic majesty. Keyboards lay down riffs that intertwine to create complex electronic patterns. The synthesized melodies grind and growl on their dedicated paths, mesmerizing and thrilling the listener with the illusion of never-ending cycles that ascend through the air, striving far beyond the terrestrial stratosphere.
This tuneage is propelled by rhythms of a non-percussive nature, utilizing beats generated by rapidly applied keyboards, producing twinkling tempos that are as emotionally evocative as they are devoid of jarring impact.”
–Matt Howarth, space.com