Weekly Sale: The Circular Ruins, Maeror Tri, Kenneth Kirschner, and more

We’ve got another round of random picks on sale for you this week, with the low prices being good through June 2nd or while supplies last.

Isobel Clouter & Rob Mullender – Myths Of Origin, Sonic Ephemera From East Asia –Regularly $9.99, right now just $6.99
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The recordings came about as a result of a project instigated in late 1999, which bears witness to a long held fascination with how the environment generates and shapes culture, memory and myth. There was no desire to conduct any scientific or anthropological field work, but to collect a set of recordings which would serve to illustrate how precious the sonic environment can be, and to act as founding materials for a soundscape collection at the British Library Sound Archive.

The audio CD also features a PDF of extra photos pertaining to the recordings that can be accessed on a computer, and comes packaged in a four color digipak and a 12 page booklet. -and/OAR

 

Kenneth Kirschner – Compressions & Rarefactions –Regularly $9.99, right now just $6.99
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Packaged in a slim cardboard case

“Compressions & Rarefactions is the fourth solo release on 12k from New Yorker Kenneth Kirschner, who is widely known for epic-length compositions that challenge the forms of modern composition. The album is released as a single CD with a digital download of over six hours of additional music that couldn’t be realized within the time constraints of the CD format. Also included is a booklet of essays on Kirschner’s music from Marc Weidenbaum (Disquiet), Simon Cummings (5 Against 4), Mike Lazarev (Headphone Commute) and renowned visual artist Kysa Johnson, who was also responsible for the album’s artwork.

Kirschner’s music is often described as “challenging,” and certainly he has a unique voice among his peers and throughout the extended genres of his sound. His work tends to hover precariously between the worlds of electronic music and chamber music, likely due to his influences from the worlds of modern classical music, philosophy and science fiction.” –12k.com

 

micromelancolie – It Doesn’t Belong Here –Regularly $10.99, right now just $7.99
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Digipak.

”It Doesn’t Belong Here” is the first release of Robert Skrzyński aka Micromelancolié on Zoharum. It contains almost an hour of music which will appeal to fans of ambient spheres, but also to seekers of less conventional sounds. ”It Doesn’t Belong Here” is a trial at merging two worlds together: traditional praise, wedding and funeral songs with contemporary avant-garde music. With electronics, field recordings, microsamples and archival tracks available on the creative commons basis, the artist created four experimental compositions based on glitches, noises, clicks created as a result of various (often deliberate) defects. They border on the areas of ambient, drone, clicks’n’cuts, even academic music. The title track features a guest performance by Mia Zabelka – a renowned composer from Vienna, Austria, considered one of the most innovative violinist in the field of free improv.” -zoharum.bandcamp.com

 

Maeror Tri – Emotional Engramm –Regularly $9.99, right now just $6.99
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‘Emotional Engramm’ is Maeror Tri’s most refined effort to date, with their characteristic sound composed of layers of electronically-treated acoustic instruments. Clocking in at just under 80 minutes, the seven tracks presented here show Maeror Tri at its best. Remastered and presented in a lavish 6-panel digipak with stunning new artwork and a foreword by Martyn Bates. -coldspring.co.uk

 

The Circular Ruins – Land of the Blind –Regularly $8.99, right now just $6.99
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Another labyrinth of complex and innovative ambient electronica from APK. This also has professional CD-face printing.

“Without doubt, The Land of the Blind lives up to and surpasses all of my expectations with regards to The Circular Ruins. A truly wonderful disc featuring a truly wonderful collection of music, I recommend it wholeheartedly to fans of the ambient genre in all of it’s forms, as well as to all those who enjoy the discovery of inner journeys.” –rik – Ping Things

 

Paul Ellis – I Am Here –Regularly $11.99, right now just $7.99
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Ancient and modern come together on “I Am Here,” as veteran musician/composer Paul Ellis creates an electronic music portrait inspired by the mysterious rock carvings of the Chinook Tribe of Native Americans who lived in the Columbia River Gorge 15,000 years ago. Just as they left their mark etched in stone, so Paul Ellis paints in sound from a palette that includes synthesizers, sequencers, guitar, bass, and voice. The three long form compositions on the album, two in the 20 minute range, and one almost 30 minutes in length, have a spellbinding quality that is constantly evolving, and draws favorable comparison to the electronic music artistry of Tangerine Dream, Ash Ra, Craig Padilla, Patrick O’Hearn, and Jean Michel Jarre. Pulsing sequencers provide forward momentum over a soundscape of lush keyboard orchestration, classic analog synthesizer tones, atmospheric textures, and otherworldly effects.

Fans of electronic music as well as those seeking an enchanting and entrancing listening experience will not want to miss this latest release by one of the premier artists of the genre on his timeless tribute to the continuity and kinship of life on earth.

 

Home Patterning – A One Thousand Pulses Compendium –Low-priced at just $6.99
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OTP’s first compilation, Home Patterning, highlights some of the series’ finest moments, extracted from a year-and-a-half of unique and special performances. Includes tracks by Robert Rich, Malcolm Cecil & The Electric Golem, Rapoon, Eraldo Bernocchi, Chuck Van Zyl, Tim Motzer, Kevin Kissinger, and more. -onethousandpulses.com

 

Dean De Benedictis – Salvaging the Past –Regularly $11.99, right now just $8.99

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Dean De Benedictis has envisioned a vital work of instrumental compositions, exploring the art of electronic music with a refreshing integrity. Blending traditional electronic tones and structures with acoustic elements, he has sculpted an album that is raw and direct. In essence, he has captured a heart of true electronic music, while suggesting more thought-provoking themes.

De Benedictis realizes this vision through various electronic tonalities, samples, and acoustic instruments such as mayahachi flute, bamboo flutes, cello, piano, voice, guitars, hand drums, and percussion – applying all, with the passion and inspiration of the masters before him.

Salvaging the Past is not only an homage to the electronic music of the past, but expands the vocabulary of the present.

To the listener:
Our physical realm is comprised of drastically separate entities mix-matching and ambiguously aligning into one harmonious collage. Such is the underlying principal behind “Salvaging The Past.” It is not the first time I’ve based a project on this philosophy. So much of my unreleased work had been inspired by this principle, and specifically by a variety of traditional ambient music genres, that eventually I felt compelled to tie this particular work together… how could I not? With some songs containing an intense electronic base and others a pure acoustic base, creating the mood for “Salvaging The Past” was tricky, but I do feel that we brought the music together as best as possible. As always, it is all from the same soul.
– Dean De Benedictis

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