Sale: Alio Die, The Circular Ruins, and More

We’ve price-slashed another batch of random picks this week, and the sale prices will be good through November 17th or while supplies last.

The Circular Ruins – Confluence –Regularly $9.99, right now just $6.99
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Composed in 2001 and released in 2002 on the Atmoworks/In The Bubble label. This DataObscura re-release has new packaging and artwork. And is also available for the first time as a download. The album is a little more electro-rhythmic than more recent works by TCR, and includes the definitive version of the remarkable and addictive title track, Confluence. -dataobscura.com

Alio Die – Music Infinity meets Virtues, Live in Prague 23th May 2009 –Regularly $9.99, right now just $6.99

infinity

Performed live at Church of St. Simon and Juda, Prague , Old Town, May 23, 2009 and presented as part of the concert series Music Infinity in association with the Italian cultural institute in Prague.

Corrado Alteiri / Gianluca Favaron – Decomposed Days –Regularly $11.99, right now just $7.99
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DECOMPOSED DAYS is the new collaborative effort by Corrado Altieri (Candor Chasma, Monosonik, Uncodified) and Gianluca Favaron (Ab’she, Under The Snow, Zbeen), two major artist in the experimental electronic scene. Released one year after THE SYSTEM OF OBJECTS, a tribute to Jean Baudrillard, DECOMPOSED DAYS relates to the possible connections between space, time and memory, making reference to imaginary movies as well as existing ones (like Peter Greenaway’s ‘Vertical Features’). The album’s five compositions are built with a crosspollination between musique concrete, abstract noise textures, radical computer music and techno splinters, leading to surreal territories. -soundohm.com

Jeff Greinke – Winter Light –Regularly $11.99, right now just $7.99
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Persistently evolving his use of sound, Jeff is never one to settle for a particular style or to retread familiar territory. For this body of work, he retreats to a remote, wintry landscape. Alternately distant and inviting, Winter Light captures elements of baroque chamber music, infused with Greinke’s own unmistakable sense of texture and visual suggestion.

Winter Light consists of mixed instrumentation, samples and electronics. Balanced between a study in classical chamber composition and ethereal ambience, Winter Light evokes a distant, icy, and occasionally somber landscape, peppered with the visages of some long sought after memory.

Gianluca Favaron – Equivalent XI –Regularly $8.99, right now just $6.99
equivalent

Starting from simple recordings of sounds produced by everyday objects (…such as paper, scissors, kitchen stuff etc.), treated mainly with two delay machines, Favaron has collected eleven compositions. the idea behind this new release is to create some patterns based on the repetition of small sound particles obtained from a single source. in the eleven tracks on the album, mostly of short duration, we witness the proliferation of particular sound events that, sometimes wandering alone or sometimes by congregating into small throbbing and vital lumps, generate a vibrant microcosm characterized by short loops, slowly but constantly evolving.iIn some cases, as for example in the more long-lasting closing number, the simplicity of the construct and the infinitesimal tonal progressions are appreciated for their intrinsic hypnotic quality. -silentes.it

Packaged in a slim folder with a limited edition of 250

Seth Nehil & Matt Marble – Ecllipses –Regularly $8.99, right now just $6.99
ecllipses

A dynamic whirlwind tour through states of ellipsis and eclipses, abrupt ruptures, reuniting and igniting. Where nothing is static for too long. Through an invigorating admixture of instruments, field recordings and various found matter, a compelling and mysterious world comes alive to spark the imagination. -and/OAR

John Hudak – Sand or Stars –Regularly $8.99, right now just $6.99
sand or stars

Comparisons between the sand of the earth with the stars above are many, but comparisons of this release by American composer John Hudak with his previous work are far less to be found.

The first piece of this CD mastered by John’s friend and collaborator Stephan Mathieu (Sirr.ecords, Lucky Kitchen, Hapna, etc), is unlike much of John’s previous work in that it features sharp staccato percussive sounds suddenly dodging in and out, but nevertheless it still has John’s “endless” compositional sense written into it. A subtle sense of humor seems to be inherent in the piece as well, as if some of the sounds hesitate with indecision as to whether or not they should make their presence known or perhaps they are trying to avoid colliding with some of the other sounds. And upon listening to this piece, be careful with volume settings at first listen, because the listener will quickly discover another aspect of this piece that is unlike much of John’s previous work: sudden volume shifts. This seems to suggest that the sounds are also changeable in temperament as well!

The second piece on this CD is perhaps the most meditative of the collection with its muted midrange buzzing that jumps around within the stereo spectrum, perhaps being reminiscent of musical radar signals or sonifications of normally inaudible activity occurring in a planet’s magnetosphere, all the while maintaining a benevolent warmth throughout.

And what could possibly be described as the amplification of rolling ion particle blasts being broadcast via shortwave radio, tells us that we have reached the third and final piece of this collection of what could be considered as being among John Hudak’s finest works.

Jason Kahn & Asher – Vista –Regularly $9.99, right now just $6.99
vista

The work on Vista began in the summer of 2006 with recordings made by Asher in the Back Bay neighborhood of Boston. Walking through the alleys and side streets he recorded the various mechanical rooms, generators, ventilation systems and idling motors which were to be found there. These recordings were processed and sent to Kahn. Later that fall, Kahn sent Asher several pre-dawn recordings he had made on the shores of Zürich Lake. Asher processed these in keeping with the methods he had used with his own location recordings so as to create continuity among the amassing material. Unprocessed wind recordings made by Kahn in the Swiss Alps in the summer of 2007 comprised the final batch of material used on Vista. Asher and Kahn spent the remainder of that year working on a final mix. Addressing the idea of hearing and seeing out and beyond spatial planes, title Vista references both the aural expanses of Asher’s home on a hill in the town of Somerville and Kahn’s trips to the Alps and Zürich Lake. In processing and mixing the discrete details of a landscape, we hear them from a real physical distance. Through the incidental combinations of processed local sounds and sound materials which are entirely foreign to us, an imaginative aural view is created which obscures any relationship to a documentary account of the original locations recorded for Vista. -and/OAR

Atomine Elektrine – Archimetrical Universe –Regularly $7.99, right now just $5.99
atomine

Atomine Elektrine is a side project of Peter Andersson, better known for his project Raison d’Etre.

Archimetrical Universe showcases Peter Andersson’s dissection of the sky, a caeserean section that births massive, geometrically perfect sonic diversions, all spheres and angles, burnished metal dreams and pristine sonic caresses that reconfigure sound into smooth surfaces. To counterbalance the exactness of the sonic development, light rhythms emerge and huge slabs of disrupting tones puncture. Quite possibly Peter’s finest release yet! -Eternal Pride

Mauthausen Orchestra -Digression –Regularly $10.99, right now just $7.99
diression

After the recent reprint of ‘historical’ material collected on the ‘Sonic Deprivation’ CD (Silentes sme0930), and the collaboration with Nimh on ‘From Unhealthy Places’ (Silentes sme9032), Mauthausen Orchestra/Pierpaolo Zoppo comes back with brand new tracks and a new album where the fury and aggressiveness of his usual harsh sonorities of a Noise/Power-Electronics nature are merged with more quiet, wide and always dark ambient parts, sometimes surprising us with unexpected and undisclosed pulsating rhythmic-electronic inserts. A great album for a project that has recently born again with an unsuspected and inspired artistic vital energy. -silentes.it

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