We’re continuing clearing off our shelves to make space for new product, so we’ve got another large selection of deeply discounted items for you this week, with the low prices being good through March 15th or while supplies last!
SGNL_FLTR – Chrono –$5.99
After years of signaling, filtering, phasing, delaying, decaying, compressing, compromising, changing, arranging, changing, rearranging, adding, removing, accepting, denying, deleting, rendering, considering, forgetting, remembering, reconsidering, choosing and compiling, this is it. However, an empty duration as a naked prefix of random time is all this is, until you make my time yours and relate the position of the prefix to the duration of you.
Various artists. Voted “Compilation Album of the Year” by listeners of Scott Brodie’s and Matt Gribo’s Canadian radio show, “The Nightflight.”
“This is no. 4 in the ongoing, very successful series of electronic music inspired by the X-Files. Same as for the former parts, several teams of e-musicians teamed up in the studio, bringing adventurous music to life that wouldn’t have happened otherwise. On “Four, The Truth” you this time can hear the stunning results from e.g. Ian Boddy, Vidna Obmana, Mario Schönwälder, Detlef Keller, Kees Aerts, Harold van der Heijden,Volker Rapp, Eric van der Heijden and of course Ron Boots. Those who already have the former three CDs, don’t miss this one. If you’re not yet familiar with it, do buy this one and become an addict of this unique concept music too!” -groove.nl
“This is my personal favorite of the four CDs. The familiar sequences, atmospheres and rhythms are still here and there is more! There is some expansive and stark minimalism to augment those familiar features. The samples are more freely interwoven and the experimental textures are more fully integrated into the theme. The mystery and sci-fi elements are here as well. Again, the music demands deep listening and concentrated meditation. Indeed, I found it difficult to write while I listened.” -Jim Brenholts
Sone – Passerelle –$4.99
Documented on this CD is a site-specific sound installation / performance given by °Sone (pronounced osone”), a project of Yannick Dauby, Christophe Havard & Hughes Germain. The only sounds used were from within the walls of the building where the event took place, channeled and recorded using large transducers and then mixed and broadcast back into the main space of the building.” -and/OAR
Nimh – The Unkept Secrets –$3.99
After few months of distance from the escape of The Missing Tapes” and the relative “Rework” by Aube, Nimh (Giuseppe Verticchio) sets aside the ethnic-lysergic visions that have characterized the previous album and continues along the distance of sonorous search and fascinating experimentation electronic, already undertaken with works such as “The Impossible Days” and “Subterranean Thoughts.” Nimh expands the range of sounds and instruments, revealing his own “secrets” through a new, dark but stylistically unclassifiable CD, in which he arranges with extraordinary originality and in an absolutely personal way elements of drone music, dark ambient, electronics, ritual, ethnic, field recordings, enriching every track with the recurrent presence of evocative sounds of electric guitar in varied filtered and elaborated way.” -Silentes
Loren Nerell – Taksu –$4.99
Loren Nerell’s association with Soleilmoon Recordings dates back to his 1996 release “Lilin Dewa”, as well as the more recent “Indonesian Soundscapes”. “Taksu” takes cues from both of these albums, blending environmental sounds and Balinese instruments together into a glowing, amorphous cloud of spine-tingling sound. Two musicians come to mind when listening to “Taksu”: Jon Hassell, who popularized Fourth World music, and Brian Eno, the father of Ambient music. While sounding nothing like the work of either artist, Loren Nerell’s music takes inspiration from both of them. His music is evocative of mist-covered mountains and slow-motion waterfalls, so it owes something to Hassell. But it also pays tribute to the patient genius of Eno, with its endlessly evolving atmosphere, in which there is no beginning or end, only the present. The crowning touch on this project came from Steve Roach, stalwart Ambient Music pioneer and long-time friend of Loren’s, who came in to provide the final spacial treatments and mastering of the CD. In his liner notes for the CD booklet, Djam Karet founder Chuck Oken, Jr. describes the music as a “sound pool” that the listener is immersed in. His words couldn’t be more accurate, and it’s no exaggeration to say that putting this record on is like waking up at sunrise, deep in the tropical Balinese rainforest, surrounded on all sides by the sounds of the jungle. To describe ambient or atmospheric music as “a soundtrack” is clichéd, but it’s really the best way to talk about “Taksu”. It truely is a very special album, and one that asks to be seen, not merely heard.
“To simply classify Loren Nerell as just an ambient composer is missing the point. I’d rather refer to Loren Nerell as a sound traveller. Either as a real traveller, armed with a microphone and tape-recorder, to Indonesia, taping sounds from traditional instruments, but also a traveller that takes you, the listener on a journey through the world. In that sense, Loren Nerell is more an ambient composer along the lines of Brian Eno or Jon Hassell and has less in common with Steve Roach or Robert Rich, for whom the pure instrument approach seems to be important. ‘Taksu – an intervention from the gods, endowing a man, or perhaps a ritualobject, with divine direction. In a sense Taksu is the essence of a great performance or work of art’ – it says on the cover. Can’t really argue with the essense of a great performance or work of art, but this is a nice piece of music. Rainforest sounds, far away percussion (drum sounds, maybe anklung or gamelan), which are all embedded in a rich textured sound, but not that of a whole bunch of digital sounds, but it’s rather, or so it seems, a treatment of those sounds by electronic means. This CD is maybe not just music, it’s rather a bath: you take it, it surrounds you for a while and then you feel good. Taksu is like a hot bath, it fills the space, the environment, it’s a surrounding that is nice to be in. And unlike a bath: you can put a CD on repeat and will still feel good and will never get cold.”
–Vital E-Zine, Frans DeWaard
Michael Mantra – A.L.B.E. –$3.99
Soft and dilated ambient atmospheres, minimal sonorities, floating electronic carpets… A new, “classic” and fascinating album in the typical and unmistakable Michael Mantra style… Four long and suggestive tracks, to be listened at low volume relaxing in the half-light, just like a discreet and refined sonic background, or at an higher volume for a “full immersion” into warm and wrapping electronic soundwaves, to the discovery of intriguing and evocative sonic landscapes…
“A.L.B.E. is the acronym of “Ambient liquid bass experience,” because the sub frequencies Michael creates are used to stimulate the human brain in helping to reach a state of deep relaxation. Musically we have different layers of fluctuating melodic bass lines that, like sea waves, create a cyclic effect. Everything on A.L.B.E. is reduced to the essential, and the structure is the result of Mantra’s interest in Taoist principles applied to modern technology and musical expression.” -noisebrigade.net
Jason Kahn & Asher – Vista –$5.99
The work on Vista began in the summer of 2006 with recordings made by Asher in the Back Bay neighborhood of Boston. Walking through the alleys and side streets he recorded the various mechanical rooms, generators, ventilation systems and idling motors which were to be found there. These recordings were processed and sent to Kahn. Later that fall, Kahn sent Asher several pre-dawn recordings he had made on the shores of Zürich Lake. Asher processed these in keeping with the methods he had used with his own location recordings so as to create continuity among the amassing material. Unprocessed wind recordings made by Kahn in the Swiss Alps in the summer of 2007 comprised the final batch of material used on Vista. Asher and Kahn spent the remainder of that year working on a final mix. Addressing the idea of hearing and seeing out and beyond spatial planes, title Vista references both the aural expanses of Asher’s home on a hill in the town of Somerville and Kahn’s trips to the Alps and Zürich Lake. In processing and mixing the discrete details of a landscape, we hear them from a real physical distance. Through the incidental combinations of processed local sounds and sound materials which are entirely foreign to us, an imaginative aural view is created which obscures any relationship to a documentary account of the original locations recorded for Vista. -and/OAR
“This CD is in places more melodic than Liles’ previous output and its 17 tracks cover a wide musical territory. Some songs are short and harmonious, other pieces are longer, subtle and contemplative with drifting delicate drones. -andrewliles.com
Follow-up to Where the Earth Meets the Sky (Hypnos), another CD of amazing ambient tuba recordings.
“…A subtle work, but one that is surprisingly invigorating. The calming tones both energize and sooth. Highly recommended.”
–Phil Derby From Sequences Magazine
“This is by far, the ambient release of the year (and it’s only June!)”
–TJ Norris From Just Out
Northern – Drawn –$5.99
Debut release from Canada’s Northern. Northern is all about clean digital samples and warm tones. northern is all about lovely guitar meanderings and skittering textures. Perhaps it is the frozen nature of Canada’s landscape or the endearing dismay of the season’s discontent that has transformed us. Winter reminds us all of polaroid pictures and places that exist only in dreams.
Offthesky returns with a fascinating set of experimental ambiances, acoustic and glitchy rhythmic excusions The Geist Cycles project began as a series of live sonic collaborations via Lexington (KY, USA) artists interacting to interpret an idea of life in transit to afterlife. The takes were later studio swept and fabricated with various piano arrangements and custom rhythmic texture. After repeated post-studio live performances, the tracks evolved into their current iteration.
Long after the first two releases issued by Ground Fault and Edition Ellipsis, and/OAR & Alluvial Recordings are pleased to finally be able to present the final release in a trilogy covering the sonic expeditions of the French location-specific electroacoustic trio Afflux (Eric La Casa, Jean-Luc Guionnet & Eric Cordier).
This release summarises what was initially a 6 hour performance / installation / radio broadcast that occurred at the TNT cultural centre in Bordeaux, France. The TNT centre is situated inside a former shoe manufacturing building. With several hundred meters of cables, the exterior and interior of the building were recorded using several different condenser and contact microphones, modified and mixed in real time on a 32 channel mixing desk. Simultaneously, the live mix was played into the concert hall / space using 8 channels for 8 loudspeakers. While the improvisers were on the upper level, the audience was listening and walking around on the lower level.
The final mix for the CD was edited by Eric La Casa.
‘City Nightlights’ was built upon field recordings from areas around Stockholm central station, Stadshuskajen, Riddarholmen, Tegelbacken and some abandoned and architecturally left-behind areas under and beneath the main central station, imbuing the six tracks with a tangible spectral presence and greatly enhances their organically drifting nature. -ghostsounds.net
Italian Avant-Noise legend M.B. and Land Use collaborate on dramatic, subterranean wall-of-noise constructions and swirling textural storms, dense and complex arrangements, shifting and shimmering tones barely under control, streaming toward some distant and indefineable precipice. Not noisy, but way too tense and corrosive to be called ambient. These vibrant monoliths of sound shift the listeners pysche into a restless sort of zen, a blissful chaos – truly mind and mood-altering. Bianchi released early records on Whitehouse’s Come Org. label and has been active since the 1970’s. And a recent and conspicuous absence from the experimental music world has been broken by several recent releases of surprising freshness and relevance. It is unclear where MB leaves off and Land Use begins but Psychoneurose is definitely a clear and brilliant return to early MB techniques with several refinements in delivery and focus. Psychoneurose will be the clear weapon of choice for those who prefer their ambience with teeth and their Power-Electronics with more of the deep, vaster textures than violence.
“‘Every day I die for Your Body’ begins with mournful thick pads. A slow heavyish rhythm brings the track to life then two melodies start up weaving around each other. As the track progresses more melodies come and go. Many of the tracks use a similar formula though all have a unique character of their own. This is fantastic and amazingly infectious music, I loved every track. Nearly all the numbers will rhythmically get your whole body moving- its impossible to stay still. Rarely have I come across rhythms that are so irresistible. Above all it tries to be enjoyable and exciting – and succeeds. It’s a breath of fresh air!” –Reviewed by DL at Synth Music Direct
A Produce – White Sands –$5.99
“This is a contemplative, diverse mix of slow ambient synthesizer places that compare favorably with similar works by Brian Eno, Steve Roach, Aphex Twin and Sati. The CD flows well even though it contains a considerable variety of sounds, and merits a serious listen. There is something here for every New Age/ambient/space music enthusiast– electronic New Age, tribal techno, meditative, ambient and sombient pieces, as well as works falling between definable genres, making this one of my favorite recent releases of ambient music by a single artist.” –New Age Voice
Frail and delicate ambient atmospheres, clusters of rarefied piano notes lying on discreet drones, soft and evanescent clarinet riffs, suggesting and catching natural sounds… Light and ethereal pastel-colored musical plots… Eight tracks, one hour of suspended and quiet sonic passages. -Silentes
Veteran Electronic/Ambient composer and recording artist Bruno Sanfilippo has been creating and releasing impressive soundscapes since 1991. Now the internationally established instrumentalist delivers his first official US release, Subliminal Pulse, a tranquil and hypnotic ambient musical tapestry comprised of delicate melodies, layered electronics and synth textures that seem to come from deep within a dream. -spottedpeccary.com
First release in the Foundry EP series — only about 18 minutes of music; quirky, rhythmic electronic music, perhaps similar to Jonathan Hughes TRILLIUM, also on Foundry.
The Foundry press release:
The first in the FOUNDRY EP SERIES is Ben Swire’s Equilibrium, bringing together the strands of beat, melody, and atmosphere to create an intoxicating travelogue in sound. The detail in these compositions is remarkable, each piece picking up the thread of the others as well as developing its own unique character. This release will appeal to anyone who has enjoyed Jonathan Hughes’ Trillium CD, the output of City Centre Offices, or Susumu Yokota’s Grinning Cat and Sakura.
eM – Outward (CDEP) –$0.99
Second release in the Foundry EP series (after Ben Swire’s surprising EQUILIBRIUM) – about 20 minutes of experimental abstract digitalism at a great price!
The Foundry says:
This release continues the FOUNDRYEP series, following Ben Swire’s Equilibrium EP. It features music in an atmospheric and experimental mode, following along the lines of eM’s All the Stars Burning Bright release, but also incorporating other ideas and sounds.
The Outward EP is the first eM solo release since 2001’s All the Stars Burning Bright. eM (Foundry founder Michael Bentley) follows on from where All the Stars Burning Bright left off, exploring a more experimental sound with this suite of three pieces. Beginning with the loops and drones of From the Earth, developing through textural washes of Across the Milky Way, and closing with the powerful and hypnotic rhythms of Beyond the Magellanic Clouds, Outward presents an engrossing soundscape that occupies an audio space where Robert Rich, Lustmord and Brian Eno meet.