Category: Hypnos Store Special Offers

Weekly Sale Items: Vidna Obmana, Ultra Milkmaids, Forrest Fang, etc.

Hello everyone,

This week’s Hypnos sale is another mixed bag of various artists and labels, and we’ve done some serious price-slashing for you! Deals are good through March 27th or while supplies last.

Trama afonA – Trama afonA –Regularly $7.99, right now just $4.99
trama

“Trama afonA is gathering suggestions from the contemporary quotidian theatre and at the same time from the past, namely the 19th and early 20th centuries. Paying particular attention to the individual and specific human stories, rather than to History… Focusing on what happens behind the scenes, aside, beneath. Subjects and dynamics less showy, blurred, but not consequently less interesting or worth caring. Opening doors and drawers using the sole curiosity as tool, walking backwards the traces of memory, wandering amid shades and details given by mystery, decadence, abandon, romanticism… Carefully delving into psychological dynamics. Openly denouncing the social plagues, but often humbly providing just visual and sound suggestions.” -Greytone Records

LISTEN to the track, “Volute In Fumo” from this album HERE.


Ultra Milkmaids – Oldies Volume 1
–Regularly $11.99, right now just $5.99
oldies
Organic drift, rich drones and earthbound textures as only the Ultra Milkmaids can do. Oldies volume 1 is a compilation of the smoothest, milkiest rarities from out of print cassettes, vinyls and compilations, hand-picked from a vast library of possible works, we selected the lightest, most emotive selections of the ‘Maids audio diaspora. Witness these lost children, gathered here in one long, beautiful voice; ‘E.V.’ and ‘L.V’ from the Borray 12″, ‘Chicken In The Kitchen’ and ‘Lover Time remix’ from the Drone 7″, ‘Lou 1′ and ‘Lou 2′ from the 110 copy 7″ of the same name, also the mega-rare tracks ‘Ma Baker’, ‘Sti-Fell 1′, ‘Sti-Fell 2′, and ‘Byojorcklos’. One stunning work of beauty after another and taken as one interrupted trip, it becomes a warm, meditative traipse through brilliant light and color from start to finish. Artwork designed by Yann of the ‘Maids, the slightly surreal becomes everyday in sight and sound.


Forrest Fang – Animism
–Regularly $13.99, right now just $5.99

animism

“On his ninth album, Animism, Chinese-American musician Forrest Fang creates a diverse musical style that fuses timeless Fourth World acoustic instruments with a modern fractal ambient sound. Inspired by the ancient belief that all living and inanimate forms possess a spirit or life force, Fang has composed eight pieces that radiate with energy and warmth.

Besides acoustic and electric violins and mandolins, he embellishes his atmospheric textures with melodies and polyrhthms from stringed and percussion instruments such as the Turkish lavta, Peruvian bandurria, Filipino kulintang, Mexican cantaro and Balinese kendang.

Animism is a celebration of life’s internal rhythms and their ultimate path to rest.” -projekt.com

LISTEN to the track, “Islands in the Sky” from this album HERE.


Northern – Drawn
–Regularly $8.99, right now just $4.99
drawn

Debut release from Canada’s Northern. Northern is all about clean digital samples and warm tones. northern is all about lovely guitar meanderings and skittering textures. Perhaps it is the frozen nature of Canada’s landscape or the endearing dismay of the season’s discontent that has transformed us. Winter reminds us all of polaroid pictures and places that exist only in dreams.


Mathias Grassow & Thomas Weiss – Conscience
–Regularly $14.99, right now just $6.99
conscience

Collaboration between two German artists on the Nextera label, which is perhaps best known for the recent Lustmord and Oophoi releases.

REVIEW FOR WWW.FREEMUSIC.CZ by Igor Nováček (translated by Libor Haler)

“Mathias Grassow, one of the main representatives of the continental ambient movement, with his friend Thomas Weiss have recorded an album dealing with the human conscience. This beautiful, intelligent record will be released on the Prague independent label Nextera. The German musician Mathias Grassow is one of the great stars of the continental ambient scene. In his youth, he studied guitar, key instruments and flute, then started to be involved in new age electronic music. The first album has been released as late as early 1990s – the recordings show a distinct experimental approach which, combined with spheric ambient and owing to the excellen album In Search of Sanity, had made Grassow a new big figure on the ever-growing ambient-electronic scene. Since then, Grassow has made a series of albums including collaborations with several other representatives of the genre such as Klaus Wiese, Amir Baghiri, Rüdiger Gleisberg (as Nostalgia) or in projects such as Anam Cara (with Wolfgang Barkowski), KarmaCosmic (with Carsten Agthe and Rüdiger Gleisberg) and the “supergroup” Nebula (apart from himself and Wiese featuring numerous Italian ambient musicians, e.g. Oöphoi and Tau Ceti). Most of these recordings rank among the best in the genre. Grassow melts the indescribable beauty od nature with deep labyrints of the human spirit, creating soulful imaginary structures, where abstraction intertwines with oriental motifs and unobtrusive ritual rhythmics. On his latest album, he has joined forces with Thomas Weiss to attempt a musical expression of the eternal topic of human conscience. Four long tracks leave space to freely morphing soundwaves, reflecting both positive spiritual power as well as somewhat murky moods. In the initial Unscaled Enigma with the almost palpable character of tide, Grassow and Weiss create the impression of absolute peace and harmony by mingling two main sound motifs (as though these were significantly discernable original sources of sound – the organs and the human voice). The next track, Along the Border, is marked by inner unrest and its sinister athmosphere can be percieved as if both artists were to guide us to the war-torn areas of the Middle East. In Foresight (credits for sound to Klaus Wiese and Ted de Jong), one can distantly hear Grassow’s rhythmic production (light rhythmical structures, oriental voices). All of what was mentioned then merges into a vast sound ocean in the final, half-an-hour track Deceitful Expectation, definitely the most impenetrable and abstract track of the album. The album Conscience as a whole unambiguously shows the message of Grass’ whole oevre, with no place for autotelic exhibition or egoistic sneer – it is a well of deep humility and belief in the fulfilment of the divine nature of man. If you find my closing words too impassioned, please give it a second thought while listening to the album. I think you will agree then.”


Asmus Tietchens & Vidna Obmana – The Shifts Recyclings (2CD)
–Regularly $12.99, right now just $7.99
recyclings

Shifts is a solo project by the omnipresent Frans de Waard, founder of Kapotte Muziek, Beequeen, & Goem. Shifts started life in 1995 with the purpose of producing ambient music by means of the guitar. Shifts has performed four times in concert (1998, 1999 and 2002) and once in a live collaboration– as yet still unreleased–with :zoviet*france: (1998). The music of Shifts consists of finely interwoven patterns of guitars played by motor driven devices, with added studio effects and extensive use of special recording techniques. This project is the first collaboration in a studio for Shifts.
Simultaneously (and separately) Asmus Tietchens and Vidna Obmana had proposed to Frans de Waard to do a collaborative release where they would reprocess recordings by Shifts. Frans had known Asmus Tietchens and Vidna Obmana since the mid-eighties, from the days when cassette culture was a vital form of musical expression. Since Tietchens and Vidna Obmana worked together before, it seemed more than appropriate then to combine these two efforts. The sound material supplied to each artist was the same, a decision made because they were curious about comparing the final results.


Adam Pacione – From Stills to Motion
–Regularly $8.99, right now just $4.99
stills

Packaged in a mini-lp gatefold style sleeve with an inner booklet of photographs and video stills by Adam Pacione.

Highly anticipated new release from Adam Pacione. Deluxe packaging. Stoughton style mini-gatefold with 16 page full-color booklet. Design and layout by Pacione. “An age of virtual audio saturation, of pre-articulated sound. Expressivity, once an array of possible voices, is ever more probabilized. Originality, once primary criterion, is cast from the platform, problematized. Wondering, late in modernity’s day, what does it take to make a noise that matters? A keen-eared recontextualizer, an alchemist who can make sound, found or unfound, to walk its own way, outside the ready-made parade. Adam Pacione is one such – new recruit to a group of like-minded musicians, kindred-spirits Brian Grainger (Milieu), Mike Bennett (Zimiamvian Night), and Kiln, who have brought the ferment from their sound stills to the Infraction table. That label is now streaming a vital strain of New Backwoods Ambient, this latest from deep in the heart of (Hurst) Texas – experimental, but harmonically-inclined, apparently lo-tech, but substantially audio-cratic.”(A.Lockett)

LISTEN to the track, “Sava” from this album HERE.


Cordell Klier – Espionage
–Regularly $9.99, right now just $4.99
espionage

Another genre-splittling release from Gears of Sand Recordings. On ‘Espionage,’ prolific artist Cordell Klier–whose previous releases have been hugely popular on the likes of such respected labels as ad noiseam records, mystery sea, and angle_rec (to name but a few)–fuses his gift for minimal drone and micro- glitch scapes (the latter especially in the tradition of Alva Noto) with his work as an accomplished spoken word artist.

The result is a kind of “Agoraphobic Pop Music” that reimagines the often beautiful cold minimalism of the 12K/Line sound as but a structure for pouring forth emotion and the instability of life itself. The Max MSP sound is appropriated here as a vehicle for what getting to what is behind the cold, distant clicks and cuts–that is to say, to the marrow of the artist’s identity.

While most artists revel in the secrecy of subversive techno-soundcraft, Klier vis-a-vis his often melancholy stream of consciousness spoken word performances, spliced field recordings of life din, and an epic flight into the metal industrial stylings that he is so well known for, turns the entire medium of electronic music on its head.

The title “Espionage” is thus a perfect one. This is music that should not, could not, and would not be made if it weren’t for someone with the astonishing creativity of Cordell Klier. In a word, this disc must be heard to be truly appreciated!

****

Cordell Klier (Minneapolis, MN.) is an avant-garde sound artist, abstract & commercial graphic designer, poet, and lable owner of DOCTSECT media & O-KVLT records. Thru the years he has worked within many genres of sound. Everything from noise to metal, to punk, pop, and hiphop, but currently recognising silence, drone, and, glitch as his main medium(s) of output.

LISTEN to track, “Untitled Seven” from this album HERE.


Loren Nerell – Taksu
–Regularly $13.99, right now just $6.99
taksu

Latest mix of exotic instrumentation and evocative ambience from the man who recorded one of our all-time favorites, Lilin Dewa.
Loren Nerell’s association with Soleilmoon Recordings dates back to his 1996 release “Lilin Dewa”, as well as the more recent “Indonesian Soundscapes”. “Taksu” takes cues from both of these albums, blending environmental sounds and Balinese instruments together into a glowing, amorphous cloud of spine-tingling sound. Two musicians come to mind when listening to “Taksu”: Jon Hassell, who popularized Fourth World music, and Brian Eno, the father of Ambient music. While sounding nothing like the work of either artist, Loren Nerell’s music takes inspiration from both of them. His music is evocative of mist-covered mountains and slow-motion waterfalls, so it owes something to Hassell. But it also pays tribute to the patient genius of Eno, with its endlessly evolving atmosphere, in which there is no beginning or end, only the present. The crowning touch on this project came from Steve Roach, stalwart Ambient Music pioneer and long-time friend of Loren’s, who came in to provide the final spacial treatments and mastering of the CD. In his liner notes for the CD booklet, Djam Karet founder Chuck Oken, Jr. describes the music as a “sound pool” that the listener is immersed in. His words couldn’t be more accurate, and it’s no exaggeration to say that putting this record on is like waking up at sunrise, deep in the tropical Balinese rainforest, surrounded on all sides by the sounds of the jungle. To describe ambient or atmospheric music as “a soundtrack” is clichéd, but it’s really the best way to talk about “Taksu”. It truely is a very special album, and one that asks to be seen, not merely heard.

“To simply classify Loren Nerell as just an ambient composer is missing the point. I’d rather refer to Loren Nerell as a sound traveller. Either as a real traveller, armed with a microphone and tape-recorder, to Indonesia, taping sounds from traditional instruments, but also a traveller that takes you, the listener on a journey through the world. In that sense, Loren Nerell is more an ambient composer along the lines of Brian Eno or Jon Hassell and has less in common with Steve Roach or Robert Rich, for whom the pure instrument approach seems to be important. ‘Taksu – an intervention from the gods, endowing a man, or perhaps a ritualobject, with divine direction. In a sense Taksu is the essence of a great performance or work of art’ – it says on the cover. Can’t really argue with the essense of a great performance or work of art, but this is a nice piece of music. Rainforest sounds, far away percussion (drum sounds, maybe anklung or gamelan), which are all embedded in a rich textured sound, but not that of a whole bunch of digital sounds, but it’s rather, or so it seems, a treatment of those sounds by electronic means. This CD is maybe not just music, it’s rather a bath: you take it, it surrounds you for a while and then you feel good. Taksu is like a hot bath, it fills the space, the environment, it’s a surrounding that is nice to be in. And unlike a bath: you can put a CD on repeat and will still feel good and will never get cold.”
–Vital E-Zine, Frans DeWaard


Jeff Greinke – Virga
–Regularly $13.99, right now just $5.99
virga

“The music on Virga takes shape as strata of slow moving melodies stream their way through expansive atmospherics and pastoral passages of ambient chamber music, highlighted by cello, trumpet and piano on many selections; all drifting together to construct complex harmonic musical skyscapes. The cumulative result is a collection of vast, textural, cinematic, and melodic compositions with a strong sense of mood and place that gently evolve and drift… like the clouds themselves.” -spottedpeccary.com

LISTEN to the track, “After the Fall” from this album HERE.

Weekly Sale Item: Later Hypnos Jewel Case Items

Hello, everyone! This week we’ve marked down a selection of some the last Hypnos jewel case items to be released before we switched to digipak format, so now’s the perfect time to fill out your collection of HYPNOS RECORDING‘s earlier releases!

Robert Scott Thompson – At the Still Point of the Turning World –Regularly $8.99, right now just $5.99
still point

“Robert Scott Thompson writes some of the most provocative ambient music currently available. By provocative, I mean it literally provokes a reaction. His latest release, At The Still Point Of The Turning World, is a wondrous fog-shrouded excursion into melancholy minimalism that can be both eerily calm and forebodingly beautiful. At times reminiscent of Harold Budd or Tim Story, yet never overtly derivative of either of them. On At The Still Point…, Thompson paints sonic landscapes in muted colors, using impressionistic strokes and techniques that demonstrate his mastery of subtlety, nuance, and neo-classical textures. It’s hard to believe this artist is still relatively undiscovered. On the other hand, Thompson’s recordings are almost always unusually sophisticated and intelligent; he does not record “mass market” ambient music. However, At The Still Point…is, most likely, his most accessible recording for novices, although it still challenges jaded listeners (such as yours truly) with unexpected twists and turns and moments of juxtaposition that can startle and amaze.

Opening with one of his most beautiful compositions, the neo-chamber “of mirrored air” (sounding like it would fit perfectly with György Ligeti’s work in 2001), the CD aims for a midpoint between your mind (appealing to your intellect and aesthetic) and your soul (tugging at your heartstrings with honest and sincere emotional resonance).”of mirrored air” features whisper-thin strings and floating textures suffused with a gentle sadness, along with what sound like gently pealing reverbed guitar. Forlorn flute lines and synths flow serenely through the sad landscape of “casual connecting principle” buoyed by subtle panning electronic effects at the periphery and reverberating tones, like Doppler-shifted car horns far away in the distance. The song seems to breathe at times, inhaling and exhaling in a slow cadence. An echoed plucked string sample (pedal steel guitar? electric bass?) bounces through the soundfield amidst the other elements, adding both musicality and a sense of mild tension.

Even more haunting is “airports for shadows and dust,” one of the tracks that combines Tim Story’s chamber minimalism with Harold Budd’s stark musical vision, but with Thompson’s indelible stamp of electronic ambience (of the three musicians, Robert Scott Thompson is the most adventurous when it comes to electronic music). Solitary piano notes strike against a deep dark series of bassy yet melodic drones and washes, counterpointed by twinkling textures here and there. Thompson reveals his penchant for experimentalism on “water out of sunlight” an eleven-minute exercise in subtle dissonance, ethereal and mournful synth chorales (a little like Larry Kucharz here), scratching noise background elements, and arrhythmic sparkles of starry pinpricks in an inky black sky. Swells of dramatic lower register keyboards later in the piece impart a sense of awe and power, although done so softly that one is not lifted out of the main mood of the piece, which I would describe as reflective with a touch of sorrow. “when dreams collide” (Thompson’s titles are always poetic and lyrical) reintroduces the soft flute lines of “casual connecting principle” this time mixed with drones and shadowy textures, crafting a floating sense of broad open vistas. This track evolves into classic spacemusic, evoking images of deserted planets’ surfaces stretching out below you or distant star clusters and nebula as you traverse the backwaters of the cosmos. More experimentalism rears its head on the title track, as vibrating pulses and tones reverberate with a distinct metallic characteristic seeming to encircle echoed acoustic piano notes. Soft and subtle whirring textures come and go, as if teasing the piano’s beauty with quick touches of electronic impulses. One of the more overtly electronica pieces is “tinted in temporal hue” which features Thompson assembling assorted pulsing and reverberating synth tones, melding them together, then breaking them apart, as if they were colored inks in a tank and he was experimenting with watching what patterns emerge as various colors are eye-dropped one at a time into the reservoir, setting them off against beautiful chorales and then taking the music into deep cavernous drones and whistling tones before lightening the mood near the end. Thompson closes the album with another Budd-like piece, “figured in the drift of stars,” in which sustained and echoed piano notes float through a field of synth washes, bell-like tones, and a myriad of shimmering effects. It’s easily the least melancholy song on the album, but is still colored with a palpable somberness.

Will this finally be the CD to get Robert Scott Thompson his well-deserved recognition and sales? If ambient music fans continue to turn their back on this artist’s work, and especially if they don’t check out At The Still Point Of The Turning World, they are missing out on truly breathtaking music. Unlike a lot of minimalism, I fell in love with this album immediately. The depth of emotion in the compositions, the complexity inherent in the blending of classical influences with ambient minimalism and subtle electronic experimentalism, the juxtaposition of beauty with sadness, all combine to form a stunning cohesive whole that surely should land on many a “Best of” list at year’s end. I’m confident it will do so with me.”
–Bill Binkelman, www.windandwire.com

Numina – Eye of the Nautilus –Regularly $8.99, right now just $5.99
eye

We are pleased to announce the second release by Numina on the Hypnos label, the follow-up to his acclaimed breakthrough Sanctuary of Dreams (2004). Eye of the Nautilus is similar to its predecessor tonally, but also explores some different themes and textures. Evocative electronic percussion is present at times, but overall the feel is one of deep-space ambience.

It is with good reason that Numina is one of the few names in ambient music to so quickly gain in reputation and prominence in this new millennium. His work evolves dramatically with each new release, and by now he has surely made the transition from “new name you should watch” to the status of “established artist.” This is an album full of ideas, with a fresh and varied sound design.

Guest artist Rudy Adrian lends his trademark sound to the second track, “Secrets from the Flame,” and as with Sanctuary of Dreams, R. Chris Fraley provides artwork, and Hypnos founder M. Griffin is responsible for mastering and layout. This is the fourth Hypnos CD release of 2005, and is sure to be one of the highlights of the year not only for Numina and Hypnos, but for the entire space & ambient music world.


Paul Vnuk Jr. & Oophoi – Distance to Zero
–Regularly $8.99, right now just $5.99
hypnos-pvoo-dtz

This recording works in roughly the same “slow drone” territory explored by Vnuk and Oophoi on their solo Hypnos releases, Silence Speaks in Shadows and Athlit, respectively. At the same time, it has a different sonic character, at times slow and dark and smooth, but at other moments bright and modern and metallic. Distance to Zero could fairly be described as some of the most daring and experimental work by either artist… a true surprise to these ears when the demo arrived here at Hypnos HQ. It definitely has an “edge” to it, though it’s still definitely easy and smooth listening. I have no doubt this will be a much-loved and much-discussed Hypnos release, and a significant milestone in the discography of both Vnuk and Oophoi.

Vnuk’s Silence Speaks in Shadows and Oophoi’s Athlit are two of the best-loved releases on Hypnos, and now these two great artists have combined their creative and sound-sculpting powers for a new work!

Review:
“…a recording that might well be described as more exploratory work by established artists is Distance to Zero, a collab between old hands Paul Vnuk Jr. + Oöphoi that crept out late in ‘06. And crept is an apt word, for this is a surprisingly creepy set. They operate in similar slow drone territory to their last solo Hypnos releases, Silence Speaks in Shadows and Athlit, respectively. Yet their communion results in a work with a quite esoteric sonic character. More arcane and less harmonically resolved than anything Vnuk has done, and near the netherworld lights at the end of Oöphoi’s world, it definitely has a spooky eldritch undertow to it, especially on the unsettling opener, “Distance to Zero I.” “Distance to Zero II” contains recognizable elements of their individual work, notably Gasparetti’s palaeontology with Tau Ceti on Subterranea, evidenced in some trademark suspended bowl-sounds and steepling toneclouds, atavistic rumblings and abyss-hinting upsurges. This is well augmented by Vnuk’s orchestrations of the peripheral familiar from Silence Speaks, dwelling at the threshhold of static sub-vocal drone-float while channelling some eerie chthonics. The sound architecture is certainly denser and chewier than most of Oöphoi’s recent discs, and more timbrally varied, with Vnuk’s influence also apparent in the static grain that occasionally creeps in at the outer limits. Smooth but smudged, with hints of a processed distillate of metal machine music, Distance to Zero evolves weightily but actively, offering a sustaining richness of texture. Do not think of filing anywhere near “new age,” or even “ethereal.” Maybe under “atmospheric electronic” with a touch of “earthen” edge.” –Reviewed by Alan Lockett for ei-mag.com

Numina – Shift to the Ghost –Regularly $8.99, right now just $5.99
hypnos-n-sttg

Numina’s third album on Hypnos Recordings is “Shift to the Ghost,” a long-form continuous piece with indexed track points. Each song is distinctly different in feel, but the songs evolve seamlessly into each other.

Numina himself states that the album “is about the life and death of the physical self,” hence the title. Whatever the concept, this album contains all the elements Numina fans enjoy, from deep and sombre ambient, to twinkling, swirling space music, constantly evolving. It’s a long, fascinating visual journey, and it never grows tired.

Reviews:
“In crafting a sonic narrative of the journey from life to afterlife, Numina has created a listening experience that is utterly immersive, a set of pieces that pull you in so deeply that trying to find adequate words for them once you’ve surfaced is difficult. This is signature Numina, moving as slowly as sleeping breath, elegant layers laid thickly upon layers with a certain and graceful hand. Sound textures course across the skin and into the spirit, coaxing the listener with warmth, beauty and imagery. This is the sound of the soul departing, and the sense of the journey itself. Rhythms rise only where they’re needed, as in the dramatic push of “Through the Unseen Barrier.” Shift… is heavy with well-realized aural scenery and emotive tones that fully suit Numina’s intent. The slightly serrated drift of “Arrival to Nowhere” points up the disk’s embrace of dark awe, and “Light Travelling” celebrates the upward release from being with some intriguing sonic turbulence. Who knew crossing over felt this good? There’s a distinct sense of the sacred here in hushed hymnal tones and choral whispers. There is the pull of coerced introspection, and a pure, overarching beauty. There’s not a moment on this disk that isn’t eminently listenable, down to the final quiet exhalations of the gorgeous closer, “The Hostless Ghost.” And that’s why Shift to the Ghost is another Hypnagogue Highly Recommended CD from Numina.” –Reviewed by John @ Hypnogogue

“A Great album. Calmful and dark beauty, Highly Recommended!” –Parallel Worlds, on the Hypnos Forum


Stephen Philips – Into the Dark
–Regularly $8.99, right now just $5.99
hypnos-sp-itd

Debut release by Stephen Philips on the Hypnos label “proper” following his album Dagboken on the Hypnos Secret Sounds imprint a couple of years earlier.

Into the Dark is a beautifully restrained and elegant piece of ambient music reminiscent of Neroli by Brian Eno, and Entering Twilight by James Johnson. Moving patterns of sounds, varying from bell-like chimes to deep rumbles vaguely-ethnic rattles, interact and react to create an always-shifting atmosphere, a sense of “place” and mood while avoiding ambient music cliches.

Stephen Philips is a prolific ambient music composer, best known as founder of Dark Duck Records, and he has collaborated with such diverse and respected artists as Numina, Austere, IXOHOXI, Ben Fleury-Steiner, James Johnson, Rigel Orionis, Ben Summers, and Isomorph. He has frequently performed live, and has worked in styles ranging from drone minimalism to glitch to deep chill, mostly centering around restrained ambience.

A single, continuously-evolving track of over 74 minutes, Into the Dark works great as a background atmosphere for continuous repeat play. But like the best ambient music, it is appealing enough for careful listening as patterns repeat and evolve, and themes emerge throughout.

“I have had it on continuous repeat since I got it out of the envelope. This isn’t the drone that Steve is known for but instead a very addictive, work of highly refined minimalist ambient–as Mike G mentions very much in the tradition of Eno’s utterly sublime and timeless Neroli–Steve lays down a very catchy main rhythmic motiff that floats over propulses of light chiming exhalations. over and over again for 74 minutes and 29 seconds…. It’s one of the best single track immmersions in a very long time–an immersion that is definitely on the same level as Steve Roach’s recent and appropriately titled Immersion discs (particularly my favorite Immersion I)…”–Reviewed by gearsofsand on the Hypnos Forum


Various Artists – Sounds Of a Universe Overheard
–Regularly $8.99, right now just $5.99
hypnos-v-soauo

A collection of ten tracks exclusive to this CD, created by a cross-section of ambient, experimental and soundscape artists from around the world. Included in this diverse group are more established recording artists who will be known to most listeners to these genres, as well as new, emerging names. We feel a compilation is most interesting when it varies from the familiar to the new. This disc covers all sorts of territory in terms of sound, from more musical and soundtrack-like sounds, to darker ambient, to pure sonic experimentation.


Austere – Solyaris
–Regularly $7.99, right now just $4.99
solyaris

This is a creative peak for this much-overlooked ambient duo, their first release on Hypnos, following their Hypnos Secret Sounds album Pulse in 2007. In their 10 years of productivity, Austere has covered territory from Pulse’s drone minimalism , ranging back through odd and trippy Coil-inspired sonic experimentation, to seamless dark ambient, and occasionally glitchy weirdness. Despite some challenging material in their back catalog, Austere have in this case produced an album as friendly and pleasant as any Austere fan could have imagined possible, and yet without resorting to the usual tricks that make music sound “listenable.”

Bill Binkelman of Wind and Wire said of Austere:
“Austere is an enigmatic duo who record some of the more interesting ambient music I’ve heard in my six plus years of reviewing. From the swirling drones (I was gonna say “dark” drones, but ….) and eerie melancholy of Monodia to the warmth and beauty amidst minimalism of Fade… Austere are less concerned with following the path and more concerned with breaking new ground. However, they are undoubtedly enigmatic, as one would glean from the above, and shun the spotlights of media and personality.”


M. Griffin – Fabrications
–Regularly $8.99, right now just $5.99
fab

Generally known as an ambient minimalist, utilizing synthesizers for most of his work, this time M. Griffin took advantage of “real world” sounds, captured with binaural microphones using a portable digital audio recorder. For this release, Griffin built up collages of numerous location recording elements, including cars driving on freeways, people walking in long echoing hallways, the ocean waves in Kona at night, a metalworking factory with heavy machinery crunching away, distant trains, and clothes driers. These elements were manipulated, combined, worked-on and re-worked, and overlaid with looped spoken elements later created by Griffin in the studio. The end result comes out something like the Zoviet France soundtrack to a David Lynch film, that is, a dark and dream-like collage of loops, spoken fragments, disembodied whispers, and the echo of far-off machinery.

While ambient music recordings generally only include a few “layers,” Fabrications has been painstakingly built-up over the years so that all tracks are now comprised of dozens of layers, in some cases upward of 100. The result is incredibly complex, with ghostly remnants of real, concrete sounds filtered one against another. Aural signatures of many real places combine to form sonic impressions of a series of locations that do not really exist. These imagined, artificial locales are in effect, fabrications.


Various – Message from a Subatomic World
–Regularly $8.99, right now just $5.99
hypnos-v-mfsw

Having not released any various-artists compilations in the past decade, Hypnos released in 2007 a new compilation Sounds of a Universe Overheard featuring a diverse array of ambient soundscape artists from around the world. We are proud to follow last year’s release with its “mirror image” compilation, which we believe meets or exceeds that high standard.

Here are another 10 exclusive tracks by 10 artists who have not appeared on Hypnos compilations before, though some of these artists will certainly be familiar to followers of our label. Message From a Subatomic World in comparison to its predecessor is perhaps a bit more abstract and deep-space, more mysterious and strange, whereas Sounds of a Universe Overheard is a bit more musical and structured overall.


Various Artists – Echoes of Polyhymnia
–Regularly $7.99, right now just $4.99
polyhymnia

Polyhymnia was one of the Muses of Greek myth, specifically the Muse of sacred hymn. Echoes of Polyhymnia compiles music in ambient and related genres composed and recorded exclusively by women. This genre is so male-dominated generally that we had a lot of fun gathering interesting ambient sounds, including some works that have one foot in ambient territory and another foot in one of several different, related genres. It covers styles and flavors as diverse as ambient, drone, glitch, vocal collage, goth and electronica.

Hypnos manager (and artist) Lena Griffin curated this specially-themed compilation which gathers an assortment of ambient & atmospheric sound works from around the world. This project reveals a totally new angle on ambient music, more diverse and wide-ranging than all previous ambient compilations from Hypnos. Ranging from ethereal to dark to pretty to spooky to melodic, we think this album displays a solidly worthwhile musical and soundscape content beyond just the curiosity and “I’ve never seen that before” factor of the theme.

“The nine Muses struck up a lifestirring melody. Polyhymnia, nursingmother of the dance, waved her arms and sketched in the air an image of a soundless voice, speaking with hands and moving eyes in a graphic picture of silence full of meaning.” –The Dionysiaca of Nonnus

Reviews:
“My compliments for /echoes of polyhymnia/, great album!”
–Dennis Koepper, Databloem

“A wonderful compilation from Hypnos, featuring women in ambient music. Highly recommended.”
–Scott Raymond, WVKR-FM

 

Follow links to read more/listen to MP3 samples/purchase.

Weekly Sale Items: Yasujiro Ozu, Steve Roach, Rapoon, etc.

Hello all,

We’ve got another assorted batch of items on sale for you this week, and the low prices will be good through March 13th or while supplies last!

Various Artists/ Yasujiro Ozu – Hitokomakura (2CD)
–Regularly $13.99 right now just $9.99
yasujiro

“This release turns its focus upon Yasujiro Ozu’s use of “pillow shots” (i.e. short poetic pauses that appear between the acting segments of his films. The term “pillow shot” was not coined by Ozu himself, but several years after his passing in the early 1960s by a Japanese journalist who was trying to draw a comparison of the intermediate scenes to “pillow words” found in traditional Japanese poetry. This is a double CD release with both CDs featuring audio plus a cross-platform compatible PDF booklet containing pillow shots (courtesy of Criterion Collection) and liner notes.

Each artist who appears on this release was asked to choose one or more “pillow shots” to use as inspiration for their pieces. A link to web pages containing a large assortment of “pillow shots” was provided, and accordingly, the pillow shots were reserved on a first come, first served basis. The artists also watched the films from which the pillow shots came from in order to get a sense of how their chosen pillow shots were employed by Ozu.

The sound work featured represents a wide range of artistic approaches, but as always with these projects, the artists were chosen specifically, based on their previous work and on how it might contribute to the collective whole of each project.


Bruno Sanfilippo – Auralspace
–Regularly $13.99, right now just $8.99
aural

“The CD is presented in a deluxe digipack 6 panel, 71 min. on 7 pieces that are in a practically continuous flow. The gentle whistles flow effortlessly on a soft carpet of electronics textures, slow spiraling in increases-decreases, creating a recording not to be missed by those who are curious and by those who love to fly far away on the wings of surreal environment.” -ad21music.com


Rapoon – I Am a Foreigner
–Regularly $10.99, right now just $6.99
foreigner

“Robin Storey, who used to be a part of the ethnic ambient whisper of :zoviet*france:, loses himself in loops. His work as Rapoon has always been an endless pattern that shifts and alters itself upon subsequent iterations like the re-arrangement of sand across the broad back of a line of dunes. “Via” from I Am A Foreigner, for example, crackles with sand ground deep in a vinyl groove while ambient tones spread across a sun-bleached horizon. You fall into his work, get yourself mired in the shifting sand underfoot, and quickly lose all sense of time and space. Vaguely ethnic drum patterns swirl and circle in the mix, building cascading patterns that move like, well, sand. However, with I Am A Foreigner, Storey has become entranced with something new and, as a result, there is a novel cast to the sonic weather eddying on this record.” -igloomag.com


Steve Roach / Erik Wollo – Stream of Thought
–Regularly $10.99, right now just $6.99
stream

“Stream of Thought explores the nuance of shifts within our perception. Segments of illumination juxtaposed with amorphous interludes and moving, flowing rhythm culminate in an unforgettable, shifting, dynamic experience. Relax and float downstream. Tranquil drifts, passionate rapids, midnight star gazing and blazing sunsets await. This is a vivid soundtrack for the senses designed to take the listener to the outer reaches of the imagination.” -projekt.com

LISTEN to a bit from this album HERE.


PBK/Telepherique – Noise- Ambient Connection
–Regularly $10.99, right now just $5.99
PBK

“Synthetic sound sources and sequences create unsettling atmosphere from the structured electronic patterns ranging from intense rhythmic work to creepy ambient out-of-body soundscapes.” -Monochrome Vision

LISTEN to the track, “Twilight Cue” from this album HERE.


Steve Roach – A Deeper Silence
–Regularly $9.99, right now just $5.99
deeper

“This new long-form zone billows out like a big sigh of time, breathing steady and strong. Minimal and infinite in its essence, like all of Steve’s long-form zones this is a functional soundworld specifically created to enhance the atmosphere of your personal sanctuary, your living environment and beyond. Lower volume playback increases the potency. This sound space serves as a kind of portal to states of subtle awareness, and is perfect for the support of deeper sleeping as well.” -steveroach.com


Various Artists – Collection 2: Moving
–Regularly $8.99, right now just $4.99
moving

Collection 2 “Moving” is, as the title suggests, the second compilation from the Dutch label Databloem. This label has been making a terrific name for itself, releasing high-quality electronica albums from a number of new and exciting artists. Moving is billed as “a collection of ambient explorations and grooves”–and it’s a very satisfying collection; seemingly a denizen of an alternate universe where techno artists chose to discard their club roots in favor of the ambient sound. Don’t expect banging tracks of stunning beatwork–this is a fine selection of laid-back, downtempo head-bobbers. With exclusive tracks by Mantacoup, Carbon Boy, The Circular Ruins, Spielerei, Saul Stokes, Psychetropic, ENV(itre), Makunouchi Bento, Subradial, Vir Unis and Cyscape.


Various Artists – Collection 3: Blending
–Regularly $8.99, right now just $4.99
blending

Another collection of contemporary ambient and ambient-glitch that takes the listener on a journey that stretches the old boundaries into a shape of things to come. 70 minutes of bliss with not a sub standard track in sight, an impressive collection.With exclusive tracks by Danny Kreutzfeldt, Off The Sky, Krill Minima, Waki, Lingua Lustra, Mendigo, Lufth, MOC, Dreaming The Seed, Svartling and Liquid Bridge.

Weekly Sale Item – Various Artists

Hello, everyone!
After a short break, we’re back with another weekly sale and some extremely low prices, which will be good through March 6th or while supplies last. Be sure to visit the HYPNOS ONLINE STORE soon for some great bargains!

Andrew Liles – My Long Accumulating Discontent –Regularly $8.99, right now just $5.99
discontent

“This CD is in places more melodic than Liles’ previous output and its 17 tracks cover a wide musical territory. Some songs are short and harmonious, other pieces are longer, subtle and contemplative with drifting delicate drones.” -andrewliles.com

LISTEN to the track “Is There Anybody There?” from this album HERE.


Nimh – Krungthep Archives
–Regularly $7.99, right now just $4.99
krungthep

“Nimh (Giuseppe Verticchio) returns as a solo artist in his newest release, rediscovering the sounds of his oriental ethnic instruments, collected in he Far-East, mainly in Thailand. The recordings are often submerged with electronic sounds, drones, voices, urban noises, field-recordings, loops, rhythmic fragments, lively and dynamically reached sound waves. Otherwise, sometimes the traditional instruments own natural sounds emerge, giving life to suggestive and catching semi-acoustic soundscapes. All the contrasts of a geographical universe perpetually suspended between ancient cultures and an out of control modernism, perfectly translated in in music by a careful and sensible expert of those places and cultures.” -Silentes

LISTEN to the track “K.A. 02″ from this album HERE.

Vidna Obmana – Landscape in Obscurity –Regularly $8.99, right now just $4.99
landscape

Explorations into unmapped landscapes… Vidna Obmana is Europe’s foremost practitioner of atmospheric and tribal ambient sounds, and already has nearly twenty CD releases to his credit. He is perhaps best known for his collaborations with Steve Roach, including “Cavern of Sirens,” “Well of Souls,” and “Ascension of Shadows,” but solo works such as the recent “Crossing the Trail” and “River of Appearances” make a powerful and unique artistic statement. LANDSCAPE IN OBSCURITY, a long, exploratory driftscape, integrates spacious and atmospheric performances on flute and saxophone (by Italy’s Capriolo Trifoglio and Diego Borotti) with the familiar sonic clouds of Vidna Obmana’s own electronic and acoustic instrument mix. This is a journey of almost 70 minutes of luminous, airy ambience. Smooth, subtle and unobtrusive, yet at the same time sonically complex and illuminating, this CD works fantastically on “repeat” mode for hours on end. Wonderful for meditation or as background for sleep or creative work, this is one of Vidna Obmana’s most minimal and truly “ambient” pieces in recent years.

REVIEWS:
“His first release on the Hypnos label, Vidna Obmana’s ‘Landscape in Obscurity’ is an impressionistic study of isolation, memory and lament. Somber saxophone leads and floating flute lines (by Italy’s Capriolo Trifoglio and Diego Borotti) mix with clouds of floating electronic ambience to evoke a feeling of isolation a cold city gives off in the dead of night.”
– Chuck VanZyl, Stars’ End, WXPN, Philadelphia

“Perhaps the most compelling aspect of this union is the unusual sense of harmony this trio shares despite their choice of instruments. Drifting through the grey areas between the soothing and familiar, the surreal and uncharted, this project blurs the preconceived barriers between classical and contemporary. With another artistic triumph to his credit, Vidna Obmana further demonstrates his thorough insight into the language of amorphous sound.” – Adam M. Bialek/Outburn (USA)

“…minimal atmospherics that blossom with beauty and wonder…. basked in a luminous, pristine glow, easily one of my favorite releases from Vidna Obmana.” –John C. Smith, Side-Line

LISTEN to a sampling from this album HERE.


John Hudak – Sand or Stars
–Regularly $7.99, right now just $4.99
sand or stars

Comparisons between the sand of the earth with the stars above are many, but comparisons of this release by American composer John Hudak with his previous work are far less to be found.

The first piece of this CD mastered by John’s friend and collaborator Stephan Mathieu (Sirr.ecords, Lucky Kitchen, Hapna, etc), is unlike much of John’s previous work in that it features sharp staccato percussive sounds suddenly dodging in and out, but nevertheless it still has John’s “endless” compositional sense written into it. A subtle sense of humor seems to be inherent in the piece as well, as if some of the sounds hesitate with indecision as to whether or not they should make their presence known or perhaps they are trying to avoid colliding with some of the other sounds. And upon listening to this piece, be careful with volume settings at first listen, because the listener will quickly discover another aspect of this piece that is unlike much of John’s previous work: sudden volume shifts. This seems to suggest that the sounds are also changeable in temperament as well!

The second piece on this CD is perhaps the most meditative of the collection with its muted midrange buzzing that jumps around within the stereo spectrum, perhaps being reminiscent of musical radar signals or sonifications of normally inaudible activity occurring in a planet’s magnetosphere, all the while maintaining a benevolent warmth throughout.

And what could possibly be described as the amplification of rolling ion particle blasts being broadcast via shortwave radio, tells us that we have reached the third and final piece of this collection of what could be considered as being among John Hudak’s finest works.


Bruno Sanfilippo – InTRO
–Regularly $13.99, right now just $8.99
intro
This release from 2006 offers 54 minutes of engaging ambience. Joining Sanfilippo on this recording is Alio Die on one track. For the first track: softly drifting textures are augmented by dreamy strings and sedate percussives, generating a lush and pleasant dose of ambience. Environmental samples enhance this soothing tuneage, contrasting the aerial violin with placid rainfall. The next track is ushered in by wind chimes winding their way through cyclic electronics breathing in tandem with didgeridoo. The serene tones maintain a steady flux that excellently suits an introspective reverie. The third piece wafts in on a shuddering breeze, orchestral airs vibrating in the distance while fragile electronics lazily cavort in the foreground amid softly ponged bells. Stately piano commands the next track, describing pensive chords in an ethereal fog of wind-borne electronics. Relaxation becomes mandatory. Heavenly hosts rise in the next track to meet a rain-swept wash punctuated by pastoral zephyrs. The next track employs singsong tones to achieve a contemplative milieu that is as captivating as it is dreamlike. The melody sways with tender intention, caressing the psyche with tendrils of sweet resonance. Piano reappears for the final piece, waxing emotional and conspiring with persuasive soundscapes to achieve a sweeping return to externality. A superb dose of ambience whose power is understated but vibrant, evoking a series of entries into the inner mind.

-Matt Howarth – Sonic Curiosity


Austere – Eco
–Regularly $6.99, right now just $3.99
eco

From austere.org:
“Eco, a new release for 2005 e.v., is two things above and beyond an ambient-styled minimalistic composition.

Firstly, it is a “process piece”, similar in concept to our first release Convergence from 1998 (reissued in 2005.) The concept of process music was originated by minimalist composer Steve Reich in a manifesto entitled “Music as a Gradual Process” in 1968.

This recording was made using a balalaika (a three stringed chordophone instrument from the Mediterranean), a number of analog and digital delays wired in series and Space Echo. The composition was arranged using a technique Reich called “phasing”, where each discrete piece of music, or “phrase”, is allowed to overlap the same or similar pieces but are slightly out of time sync with the original, creating a slowly evolving recording that changes subtly but perseptively over its entire course.

ECO is meant to be played quietly when going to sleep, and should help lull the listener into a relaxed state, and then into various deep sleep-related phases of brain patterns…. (READ more HERE).


Mnortham – Automnal
–Regularly $8.99, right now just $4.99
mnortham

Highly indicative of the nomadic life that international sound artist Michael Northam has come to know over the past 5 or so years, this release represents a sonic recollection of his life dispersed across a vast geography, pinpointing three specific locations and moments from his long journey:

– Glacier du Trient, Switzerland / France
– Eagle Creek, Indianapolis
– Ils Grosbois, Montreal

At times, this hypnotic release presents meditative, invigorating, and eerie translations of places and experiences in ways that only Northam can poetically convey.

Originally dispersed among friends in 2003, as a limited edition “spontaneous document” CDR, this work is now re-issued on CD so it can finally be enjoyed by more people. And deservedly so.

Nimh – Travel Diary –Regularly $7.99, right now just $4.99
travel

“Finally collected on a single CD and released in a completely re-edited and re-mastered version enriched with new sounds and parts, Silentes presents all the music created by Giuseppe Verticchio/Nimh during 2001/2002 using ethnic instruments only and in a totally unconventional way, with the addition of treated/processed field recordings. A real challenge beyond every stylistic and geographical border; an original and evocative dark-shaded ethnic-electronic-ritual music, born from the voice of ancient and often unknown traditional ethnic instruments mostly collected in the Far East, without using synthesizers and any other electronic/synthetic source at all. An absolute original, unpredictable and unrepeatable…” -Silentes

LISTEN to the track “The Market Place” HERE.


Mico Nonet – Marmalade Balloon
–Regularly $7.99, right now just $4.99
mico

We here at Hypnos HQ think this is one of the nicest and best-est things to have crossed our ears in quiet a while. It’s a beautiful, ear-pleasing blend of relatively “straight” chamber music with just a touch of electronic tones.

A minimalist layer of ambient analog synthesizers with cello, viola, French horn and oboe performed by members of The Philadelphia Orchestra and Berlin Philharmonic.

REVIEWS:
“The Marmalade Balloon is the year’s ultimate flirtation with subtlety and seductiveness. Existing somewhere between the neo-classical and the ambient, Mico Nonet fashion a world that is hazy and succinct, at times dark and haunting and others playful and inspiring, but always open to personal interpretation. The balance between musicians is gracefully maintained, where neither the electronics nor the strings are ever overly pronounced as to withdraw the listener from the intoxicating, spellbinding trance which The Marmalade Balloon invokes. The future will certainly take this musical act on a variety of different presentations, but with their strong understanding of musical space and development, we’re confident that they’ll be a favorite for years to come. ” –Jordan Volz, The Silent Ballet

“Once all the synths and sequencers have echoed out and it is time to return to Earth, STAR’S END turns to The Marmalade Balloon (36’42”), a smart, artfully constructed EP by Mico Nonet. Played on conventional chamber instruments (viola, cello, oboe, french horn) plus a well-hidden synthesizer, this work combines the idea of ambient music with the sophisticated sensibilities of the classical quartet. The most difficult part of this undertaking was in directing the virtuosic talents of four seasoned orchestra musicians towards a music that achieves a sustained atmosphere – away from the familiar climax and release of their repertoire. The Marmalade Balloon succeeds in maintaining a gradual coalescence throughout. Somber thematic workings move with deliberate slowness as this group carefully strides towards a sense of quiet musical contemplation. Through a unique intuition, the musicians leave enough room not only for one another, but for silence as well. The result is an incredibly beautiful and elegant music, so fragile that at any moment it may dissolve into thin air.” –Chuck van Zyl, Star’s End Ambient Radio

LISTEN to the track “Hammock” from this album HERE.

Austere – Solyaris –Regularly $8.99, right now just $4.99
solyaris

This is a creative peak for this much-overlooked ambient duo, their first release on Hypnos, following their Hypnos Secret Sounds album Pulse in 2007. In their 10 years of productivity, Austere has covered territory from Pulse’s drone minimalism , ranging back through odd and trippy Coil-inspired sonic experimentation, to seamless dark ambient, and occasionally glitchy weirdness. Despite some challenging material in their back catalog, Austere have in this case produced an album as friendly and pleasant as any Austere fan could have imagined possible, and yet without resorting to the usual tricks that make music sound “listenable.”

Bill Binkelman of Wind and Wire said of Austere:
“Austere is an enigmatic duo who record some of the more interesting ambient music I’ve heard in my six plus years of reviewing. From the swirling drones (I was gonna say “dark” drones, but ….) and eerie melancholy of Monodia to the warmth and beauty amidst minimalism of Fade… Austere are less concerned with following the path and more concerned with breaking new ground. However, they are undoubtedly enigmatic, as one would glean from the above, and shun the spotlights of media and personality.”

And the Austere boys themselves, not normally prone to gushing or self-praise, say these words on the subject of this recording:

“Solyaris, our first release for 2008 e.v. on the Hypnos label is major departure from our recent emphasis on Minimalist composition, but more in the direction started by our last release, mirror.shtml and is instead is a collection of recordings improvised and recorded “live” over a weekend session and are presented in their original form, unedited in any way aside from mastering by The Sound-O-Mat.

The recordings turned out extremely well; it was obvious that our Muse(s) had visited us, and we were able to simply “let the tapes roll” and play, and this recording is made up from one track each from a recording session (we may release the rest at some later point.)

We could not be more happy with the sound of this album — there was definitely something special about that weekend and it was one of those rare occasions where everything just seemed to come together without any effort, and we think this is reflected in the musick. The CD flows very nicely, and is one of the most uplifting and special CDs we have ever released. We hope that you might enjoy it at least half as much as we do.”

We here at Hypnos are likewise happy with this album, and find ourselves playing it over and over, soothed and bewildered at the strange and beautiful atmosphere. Solyaris does not fit squarely into any one genre, but it is wonderful to listen to, without being easy or without depth. The sounds could be described as the thought transmissions of benevolent aliens. They mean you no harm, and they thank you for listening!

LISTEN to MP3 samples HERE.

Weekly Sale Item: Silentes

We’ve got some SILENTES items by various artists on sale this week, low prices good through February 21st!

Lullabier – Verita rivestite d’ombra
–Regularly $8.99, right now just $5.99
lullabier

“Delicate and fragile dreaming atmospheres, melodic and hypnotic ambient light sparks, sonic landscapes both semi-acoustic and then close to shoegaze, introspective lyrics almost whispered by a simple and gentle voice, mainly based on evocative and shiny, delicate, and dilated electric guitar riffs laid on discreet rhythmic backgrounds, sometimes simply backed by acoustic guitar chords, in a singer-songwriter mood.” -Silentes


T.A.C. – Splintered
–Regularly $11.99, right now just $7.99
tac

Digipak.

“T.A.C. sonic trip goes on through unexplored territories, forcing the borders between electronica and new psychedelic soundscapes, making room for gentle ballads merciless deconstructed …Enter now T.A.C.’s surreal and swirling world. The tribernetic shamans are back…” -soundohm.com


Enrico Conglio / Under the Snow – Dialogue One
–Regularly $8.99, right now just $5.99
dialogie

“Nearly an hour of music, equally divided between the relaxing and ambient atmospheres enhanced with experimental elements created by Enrico Coniglio, and the low-fi/rough sounds and atmospheres crafted by Under the Snow (Stefano Gentile and Gianluca Favaron) – not so different but with a more dramatic, tense and hypnotic doom – built on deep drones stratifications, often hard and cutting, with a wide collection of noises, electronic hassles, whisperings, concrete moments… A perfect join-venture, a mix among two different music projects that gather coherence and inspiration to sustain a split album that showcases a not to be missed fusion of styles among the involved artists, oriented on parallel patterns and clearly increasing the value of their own personal and somehow different sonic directions.” -Silentes


Kinetix – Selected E_Missions
–Regularly $11.99, right now just $7.99
kinetix

“Deep and wrapping digital soundscapes, dotted by micro-noisy granular material, resonant fields where time and space humble themselves in a single perceptive continuum. Contemporary, abstract, minimal, cold, intense and evocative drone music.”

-soundohm.com


Michael Mantra and Charlz de la Casa – Cerulean Transmission
–Regularly $7.99, right now just $4.99
cerulean

A precious sonic masterwork, documenting the extraordinary collaboration between Michael Mantra and Charlz De La Casa. A cd of suspended time and space… “classical” static music. Two long tracks flow like sonic lava, weaving together lush background washes, and evocative field recordings. Dark electric sounds, beautiful drones, inner-Earth rumbling, human voices, concrete noises, ship engines, sirens, sounds of the sea, bubbles, wind, chants, and wildlife sounds merge in an indefinable (and never before experienced) way… an absolutely unmissable work.


Gianluca Becuzzi [Kinetix] – Memory Makes Noise
–Regularly $11.99, right now just $7.99
memory

Digipak.

“Gianluca Becuzzi, for the first time, presents his work under his birth name, confining the Kinetix as an extension of his name. The Tuscan sound-artist focuses his research on electro-acoustic sounds, livening ‘Memory Makes Noise’ with throbbing concrete noises, material manipulations and deep environmental reverberations.” -coldspring.co

Opium/Sostrah Tinnitus – Stain –Regularly $8.99, right now just $4.99
stain

“Warm, involving, deep and penetrating… Flowing sound patterns, vibrating drones permeated by a discreet sense of tension, evolving in dark, obscure, foggy, nocturnal atmospheres, violated by raven voices, mysterious noises and sounds of metal objects in motion… And then concrete noises, confused and elusive melodies, feeble light flashes, buried echoes of human voices, distant whispers, sudden passages of rough sounds, undefined nuisances, subliminal and hypnotic sequences.” -Silentes


Enrico Coniglio – Sea Cathedrals
–Regularly $8.99, right now just $4.99
sea

“Five superb tracks of deep and evocative ambient music, enriched with echoes of ancient ritual suggestions. The immense spaces and the abyssal deepness of the sea, but also the sound of the bowels of the Earth, the color of the sand of the desert, the energy of the wind, the strength of all the Elements, the infinite cycle of day and night, of life and death… A long circular journey through interchanging atmospheres that shake and capture, dragging with energy, then leave room for more quiet and soothing introspective stasis, and again become dramatic and overwhelming, A great, unmissable album of classic ritual ambient music.” -Silentes


Nimh – The Missing Tapes
–Regularly $7.99, right now just $3.99
missingtapes

“Stratospheric sounds from another dimension, where multi-cultural sound-worlds collide. Processed electronic emulations of traditional Thai (and other indigenous) instruments, esoteric percussion, breathing, drones, feedback, shortwave radio, disembodied voices floating in air, and hazy field recordings all combine is a most intoxicating manner. With THE MISSING TAPES, NIMH returns to a more adventurous style, pushing the boundaries of sonic innovation past anything that we’ve heard before. An amazing 50+ minute sonic-travelogue of electroacoustic experiments.” -Silentes

Muridae – Under the Fable of Meaning –Regularly $7.99, right now just $4.99
muridae

“A variegated and original universe of electronic visions; leading rhythmic parts, cosmic suggestions, echoes of filtered human voices and hints of concrete noises extraordinarily mixed with catchy electronic progressions, among pulsating basses, sequencer patterns and winning melodic arpeggios… A surprising mix of ideas that draws from a wide range of stylistic influences, an extraordinary deep impact sound quality rich in dynamics, for an uninterrupted flux of incredible emotions…” -Silentes