Category: Hypnos Store Arrivals

Announcements of new items and re-stocks added to the Hypnos Online Store.

Newly-Added & Restocked Items from 12k

Hello all, we’ve got some newly-added and freshly-restocked items for you this week from the 12k label. They’re sure to move quickly at just $11.99 each, but supplies are limited, so visit the SOUNDSWIM store soon to get your copies!

NEWLY-ADDED:
Stephen Vitiello + Molly Berg – Between You And The Shapes You Take
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“Between You And The Shapes You Take is the second collaborative album by Richmond based musician/sound artists Stephen Vitiello and Molly Berg. As with the duo’s previous release, The Gorilla Variations (12k2013, 2009), tracks are created out of improvisations and sculpted through editing. Molly Berg’s clarinet and vocalizations tend to cover the CD’s lyrical content while Vitiello’s guitar and processing covers a good deal of the textures. Two of the tracks on the CD feature violin by the multi-talented Hahn Rowe, once a member of the group Hugo Largo.

There’s an immediate air of melancholy and longing to a number of the tracks. An initial demo recording for the album was remarked on by a listener who said “I’ve fallen face first into a machine that erases the memories of an ended relationship as if it were a sound instead of a real life that fell in love with the girl again in the end.” A strange amount of truth exists in that statement and the entirety of it was momentarily considered as the album title. Instead, Between You And The Shapes You Take is a borrowed quote from Wallace Stevens’ poem The Blue Guitar.” –12k.bandcamp.com (Follow link to read more about this release.)

Moskitoo – Mitosis
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“2007 saw the album debut of Moskitoo with 12k’s Drape (12k1041). Since then, Moskitoo (Tokyo’s Sanae Yamasaki) has been busy performing live, recording and releasing new work (including sound/voice for Japanese media/television and iOS apps) and expanding her talents as a visual artist in Japan. After six years of growth as an artist she presents her sophomore album, Mitosis.

Mitosis begins with “Wonder Particle,” a track that very much sums up Moskitoo’s intentions: to embrace the digital with not only a human, but a distinctly feminine touch. Wispy, layered vocals swim around rhythmic fragments and warm insect-like noises. The music is strange and otherwordly, perhaps the soundtrack to an evening stroll on a warm night in a bustling alien city. There are lights, swarms of sound, a myriad of conversations blended by a thousand different stories of passers-by always on the move.

The inspirations behind this second album are not far away from these ideas. Moskitoo herself was thinking of journeys, even ones on the cellular level. Mitosis, or the division of a cell into two identical sets of chromosomes, was a point of departure for Moskitoo as she explored the ideas of division, expansion, the human body, and small particles of matter. One can draw a correlation between these ideas and her music as it nervously wiggles it way through sounds both liquid and electronic.

Mitosis is a dreamy, playful and serious album that shows Moskitoo’s talents as a sound explorer and songwriter. It is at once both catchy and curious, a question that doesn’t always need an answer.” –12k.bandcamp.com

Motion – Every Action
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“12k presents Every Action, the 3rd full-length release from the UK’s Motion (Chris Coode) and the follow-up to 2002’s critically acclaimed Dust (12k1019). In addition to his work with 12k (Dust, as well as a collaboration with Doron Sadja on 12k’s recent Two Point Two compilation, and an MP3 only release on 12k’s term. series) Coode has worked with Fat Cat and also released the debut Motion cd Pictures (now out of print) on his own imprint.

The work on Every ActionPictures was produced, sharing that release’s more obvioius tonal and melodic content. Using a stipped-down setup of studio equipment Coode crafts his sound by sampling, processing, resmapling, reprocessing.. back and forth, like generations of tape transfers or photocpies of photocopies, until the final results are smeared and distorted ghosts of the original: detuned, groaning, fragmented. Despite the digital sources, Coode’s music is highly organic, utilizing randomness, openess and dysfunction to create an oddly ambient and quieting sound made from stressed melodic flickering and skittering, tones, drones, and overprocssed textures.

Motion is important in Coode’s work, too; slow motion formed in grainy timestretches punctuated by dynamics that swell and disappear creating odd suggestions of performance, structure, and deconstruction built from his always live mixdowns.” –12k.bandcamp.com

Steve Peters + Steve Roden – Not A Leaf Remains As It Was
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“In 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.

Inspiration came in the form of a book of Japanese jisei – poems allegedly written by monks on their death bed – printed in both English translation and Romanized Japanese. Phonetically pronouncing the Japanese reminded Peters of the technique Roden has used of systematically chopping up the syllables in English texts to transform them into sound poems. Since neither of them speaks Japanese, it seemed like a good place to begin.

The two of them applied for a residency at Jack Straw, a non-profit recording facility in Seattle that gives grants of studio time. They had no exact plans other than they intended to avoid electronic instruments, or directly referencing the poems’ literal meaning, or imitating any Japanese musical idioms or “Zen” stereotypes. Culling some of the poems that made references to sound and noting them on 3×5 cards, Peters and Roden sorted the cards into four groups according to the seasons of the year that the poems represented, divided the cards between them, and taped them to their music stands. They then sang random fragments from the various cards – a word here, a line there, maybe backwards, maybe the English translation. They made no effort to keep the poems intact or retain any of their meaning, instead treating the material simply as phonemes to put in their mouths.” –12k.bandcamp.com (Follow link to read more about this release.)

Seaworthy + Matt Rösner – Two Lakes
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“In April 2010 12k recording artist Seaworthy (the recording project of Cameron Webb) and Matt Rösner travelled to the south coast of New South Wales to undertake a detailed field recording study of two coastal lake ecosystems at the Lakes Meroo and Termeil. The aim of the project was to explore the sounds of a fragile coastal Australian environment and to build from those sounds unique musical pieces that provide a place for listener contemplation and reflection.

Field recordings were taken from the lakes and surrounding beaches, forests and streams at different times of the day. Various equipment including a hydrophone, a shotgun and stereo microphones were used to capture the natural sounds of each lake. During breaks in field recording, the artists set up recording equipment in a nearby lakeside cabin. Using acoustic and electric guitars, a ukelele and electronics, a series of improvised performances were documented. On the last day of the trip, with the experience of the recording process still fresh in mind, rough arrangements were created from the field recordings and improvised sets. Matt Rösner then took these arrangements back to his studio in Myalup – a small coastal town on the opposite side of the Australian continent – to mix and finalize the production.” –12k.bandcamp.com (Follow link to read more about this release.)

Illuha – Akari
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“Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.” –12k.bandcamp.com (Follow link to read more about this release.)


RESTOCKED ITEMS:

Pjusk – Solstøv
solstov

“With their distant, icy ambient music in shades of pale blues and greys, the Norwegian duo Pjusk evoke lonliness, time and landscape with their sound that stretches slowly, carefully and patiently through the air.

SOLSTØV is an album made almost entirely from the sound of the trumpet (performed by Kåre Nymark, Jr.), both natural and processed. Pjusk explored it not only as the delicate acoustic instrument that it is but as a generator of tone and nuanced source material. 12k’s Taylor Deupree was invited to provide sonic manipulations of the trumpet with the sound design system Kyma transforming it into delicately strange passages and tones.

Solstøv, the sun, the dust… expansive, shifting, weightless and shimmering. This is an album, epic in its sound and approach, that channels the Norwegian landscape in all of its stark beauty; its cold, its warmth, and its place in the universe. To listen to Pjusk is to sit quietly in an endless night.” –12k.com

Taylor Deupree – Faint
Faint

“Faint takes as its conceptual starting point the fraction of time betwixt waking and sleep, those fading instants where the light of consciousness dims and one’s connection to ‘clock time’ slowly collapses. Deupree’s material convincingly simulates in musical form the slowed pulse of the body and overstimulated mind temporarily at rest. His sensitivity to the shaping of sound is on masterful display, his deep level of attunement to the unfolding sound evident at each moment.

A restful calm pervades the material that makes it music tailor-made for meditative immersion. Faint achieves a remarkably sustained balance between stasis and activity: each piece feels like an extended frozen moment of serenity while also being a continually evolving set-piece wherein myriad musical episodes occur. The album’s five tracks fold ambient textures and the real-world noises of field recordings in amongst electric piano, guitar, and synthesizers. Listing the elements in such manner obscures the fact that Deupree is more focused on shaping sound, no matter its originating form, into an overall whole whose impact is far greater than the sum of its parts.” –textura.org

Marsen Jules – The Endless Change Of Colour
change of colour

“In our, boxed, on-demand world where accessibility and recallability rule we can often forget the importance of the unpredictable or the joy of true discovery. Our lives are increasingly shaped by systems and patterns; downloaded, linked, and stored, that help us live, tell us when to go outside and what we will find when we get there. The mystery of our every day slowly seeps out of our lives like photograph bled of its color by the sun. There are fewer questions and too many answers.

The Endless Change Of Colour exists somewhere between our future and the mistakes and accidents we’ve made along the way. It is a celebration of both the system and the unexpected. Marsen Jules’ latest work is a generative music piece upon a single phrase of an old jazz record split into three audio streams. These streams are transformed into loops which break the original instrumentation down into sound resembling pure waves, harmonics and overtones.These loops play to different time signatures to create phasing patterns that continuously move and dance around each other in a constantly-evolving lattice of sound. Despite it being based on a very strict and limited set of rules the music could, in theory, be endless and ever-changing.

Here, the listener’s discovery is a quiet and engaged one. Ripples and pulses set within a field of color that sometimes feels like water, sometimes like air and sometimes like glass. Electronic tones hum with warmth and the softness of slumber. The patterns are there, familiar to our modern ears, but they’re not always what they seem. The wandering mind steers this one along more than the generative grid on which it was based and The Endless Change Of Colour becomes exactly as its title suggests.” –12k.com

Kenneth Kirschner – Compressions & Rarefactions
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“Compressions & Rarefactions is the fourth solo release on 12k from New Yorker Kenneth Kirschner, who is widely known for epic-length compositions that challenge the forms of modern composition. The album is released as a single CD with a digital download of over six hours of additional music that couldn’t be realized within the time constraints of the CD format. Also included is a booklet of essays on Kirschner’s music from Marc Weidenbaum (Disquiet), Simon Cummings (5 Against 4), Mike Lazarev (Headphone Commute) and renowned visual artist Kysa Johnson, who was also responsible for the album’s artwork.

Kirschner’s music is often described as “challenging,” and certainly he has a unique voice among his peers and throughout the extended genres of his sound. His work tends to hover precariously between the worlds of electronic music and chamber music, likely due to his influences from the worlds of modern classical music, philosophy and science fiction.” –12k.com

More From Cryo Chamber

Hello everyone,

We’ve added a few more items from the CRYO CHAMBER label to the store this week, but supplies are limited, so get them before they’re gone!

Atrium Carceri & Cities Last Broadcast – Black Corner Den –$13.99
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Digipak

The two bearded Swedes join forces on this collaborative album. Black Corner Den is the result of long winter studio sessions separated by the atlantic ocean but made possible by the internet. Lonely moments in the company of the night lamp, overlooking the messy pile of tape loops while the machines hummed and the piano played until the morning.

Exploring the opium dens at the end of the 19th century this album takes you deep into the soothing dreams of dead poets.

“The streets lay silent as the floor creeks under your bare feet. The old loft lit by a wax candle, it’s light dancing over your oak desk. You grab the vial of black ink and the leather bound book as you scurry out the door into the humid night. You pass trails of fire as the lamplighter tends to the myriad lanterns adorning the bridge. A left turn leads you down a set of stone stairs where the satin clad lounge welcomes you in.

Sweet smoke lingers in here where gentlemen gather to dream about the black sea. Your booth at the far end stands prepared. A pipe, tinderbox and purple pillow for a tired head. You have a friend tonight and it calls itself the Black Corner Den.”

Pär Boström’s dreamlike soundscapes combines with the careful melodies and elegant structures of Simon Heath. The perfect soundtrack for decadent nights or introverted reading sessions, preferably combined.

 

Azathoth – A Cryo Chamber Collaboration (2CD) –$16.99
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In 2014 Cryo Chamber got some of the most prominent dark ambient artists together to synchronize their studios during a year of collaboration creating the album Cthulhu in tribute to H.P. Lovecraft. With Azathoth Cryo Chamber double the effort with a 2 CD release follow up. No less than 20 artists has been working for the last year to synchronize and co-create Azathoth. Azathoth is a collaboration NOT a compilation.

Azathoth is an Outer God in the Cthulhu Mythos and Dream Cycle stories of H. P. Lovecraft and other authors.

Azathoth’s precise appearance is only hinted at throughout the Mythos, and indeed may be unknowable by mortal beings. It is described as occupying a position outside of the universe, where it is attended by a cohort of alien servants.

 

Shub​-​Niggurath – A Cryo Chamber Collaboration (2CD Digipak) –$16.99
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A two-hour dark soundscape album recorded by 20 ambient artists to pay tribute to H.P. Lovecraft.

Dark sounds from dreamy dimensions to never ending cursed forests. Join us in the ritual of lust for the Black Goat of the Woods.

Shub-Niggurath is an Outer God (or Outer Goddess) in the pantheon. She is a perverse fertility deity.

An enormous mass which extrudes black tentacles, slime-dripping mouths, and short, writhing goat legs. Small creatures are continually spat forth by the monstrosity, which are either consumed into the miasmatic form or escape to some monstrous life elsewhere.

Of all the mythos deities, Shub-Niggurath is probably the most extensively worshipped. Her worshippers include the Hyperboreans, the Muvians, T’yog of K’naa, and the people of Sarnath, as well as any number of druidic and barbaric cults. She is also worshipped by the non-human species of the mythos, such as the “Fungi from Yuggoth” (the Mi-Go) and the Nug-Soth of Yaddith. With the proper occult paraphernalia, Shub-Niggurath can be summoned to any woodlands at the time of the new moon.

So is this a compilation?
No, this is a collaboration and huge undertaking. 20 artists linked studios and sound for over a year so that they could work with each other. This led to a deep exploration of the Mythos and Shub-Niggurath

2 CD album comes in a Deluxe 16 page Hard cover DigiBook. Artwork is served on Matte Laminated pages that makes the artwork stand out. A journal with entries by the seeker of the Black Goat of the Woods with a Thousand Young, as interpreted by writers Donald Persson & Alistair Rennie.

Newly Added 12k Items

Hello, all!

We’ve got some newly-added items from the 12k label in the SOUNDSWIM store this week, and all are bargain-priced at just $9.99 each.

PJUSK – SØLSTOV
solstov

Packaged in a slim cardboard case

“With their distant, icy ambient music in shades of pale blues and greys, the Norwegian duo Pjusk evoke lonliness, time and landscape with their sound that stretches slowly, carefully and patiently through the air.

SOLSTØV is an album made almost entirely from the sound of the trumpet (performed by Kåre Nymark, Jr.), both natural and processed. Pjusk explored it not only as the delicate acoustic instrument that it is but as a generator of tone and nuanced source material. 12k’s Taylor Deupree was invited to provide sonic manipulations of the trumpet with the sound design system Kyma transforming it into delicately strange passages and tones.

Solstøv, the sun, the dust… expansive, shifting, weightless and shimmering. This is an album, epic in its sound and approach, that channels the Norwegian landscape in all of its stark beauty; its cold, its warmth, and its place in the universe. To listen to Pjusk is to sit quietly in an endless night.” –12k.com

VARIOUS ARTISTS – BLUEPRINTS
blueprints

Digipak

“With the release of Blueprints, 12k presents two tracks each from six artists new to its roster and showcases some of the new sounds and influences that will carry the label into its 10th year (2007). The artists on Blueprints span the globe and offer a variety of sound that both compliments and expands on the style that 12k has become known for.” –12k.com

Kenneth Kirschner – Compressions & Rarefactions
rarifications

Packaged in a slim cardboard case

“Compressions & Rarefactions is the fourth solo release on 12k from New Yorker Kenneth Kirschner, who is widely known for epic-length compositions that challenge the forms of modern composition. The album is released as a single CD with a digital download of over six hours of additional music that couldn’t be realized within the time constraints of the CD format. Also included is a booklet of essays on Kirschner’s music from Marc Weidenbaum (Disquiet), Simon Cummings (5 Against 4), Mike Lazarev (Headphone Commute) and renowned visual artist Kysa Johnson, who was also responsible for the album’s artwork.

Kirschner’s music is often described as “challenging,” and certainly he has a unique voice among his peers and throughout the extended genres of his sound. His work tends to hover precariously between the worlds of electronic music and chamber music, likely due to his influences from the worlds of modern classical music, philosophy and science fiction.” –12k.com

Willits + Sakamoto – Ocean Fire
ocean fire

Digipak

“Christopher Willits and Ryuichi Sakamoto’s new release is a sublime soundtrack for the ocean. It is an intense and stirring wash of cascading tones and textured harmony. Willits + Sakamoto surprise with rare form in this collaboration, creating a sound world unlike anything they have produced previously. Each artist has gently pulled the other into new sonic territory. Sakamoto’s gorgeous processed piano sound reflects Willits’ beautiful shimmering clusters of notes, a new aspect of Willits’ pioneering guitar/computer approach. Together, their sounds merge effortlessly, creating deep and seamless swells of gigantic melodic waves.” –12k.com

Marsen Jules – The Endless Change Of Colour
change of colour

Packaged in a slim cardboard case

THE ENDLESS CHANGE OF COLOUR exists somewhere between our future and the mistakes and accidents we’ve made along the way. It is a celebration of both the system and the unexpected. Marsen Jules’ latest work is a generative music piece upon a single phrase of an old jazz record split into three audio streams. These streams are transformed into loops which break the original instrumentation down into sound resembling pure waves, harmonics and overtones.These loops play to different time signatures to create phasing patterns that continuously move and dance around each other in a constantly-evolving lattice of sound. Despite it being based on a very strict and limited set of rules the music could, in theory, be endless and ever-changing.” –12k.com

Savvas Ysatis + Taylor Deupree – The Sleeping Morning
sleeping morning

Packaged in a slim cardboard case

“All of the instrumentation; acoustic guitar, autoharp, various bits of percussion, and analog synthesizers, were performed directly to multi-track with very little editing (they preferred to re-take rather than edit). The duo recorded much of the sound with with microphones to capture roomtone which created a warm, organic and often playful mood. Loose drums, the squeak of a monosynth and lush pads from the Jupiter-8 make The Sleeping Morning appear at first as an experiment in micro-folk but when vocal tracks are added a whole new world of song-structure and post-something is created.” –12k.com

Taylor Deupree & Marcus Fischer – Twine
Twine

Packaged in a slim cardboard case

“The title TWINE comes from the idea of the two tape loops as knots, as physical media, combining to form a single, more complex, piece. The seven tracks on the album are highly repetitive yet constantly shifting due to the asynchrony of the loops. All of the warm, tactile and dusty quality of the tape and vintage players is captured in the recordings and the listener can easily get lost in the slow, enveloping cycles.

The intimacy of the tape loops combined with the lonliness of the sounds gives Twine a complexity beyond its simple form. Deupree and Fischer have created a intensely focused new work that draws upon all of their creative interactions since their 2010 debut.” –12k.com

Taylor Deupree – Faint
Faint

Packaged in a slim cardboard case

“Faint takes as its conceptual starting point the fraction of time betwixt waking and sleep, those fading instants where the light of consciousness dims and one’s connection to ‘clock time’ slowly collapses. Deupree’s material convincingly simulates in musical form the slowed pulse of the body and overstimulated mind temporarily at rest. His sensitivity to the shaping of sound is on masterful display, his deep level of attunement to the unfolding sound evident at each moment.

A restful calm pervades the material that makes it music tailor-made for meditative immersion. Faint achieves a remarkably sustained balance between stasis and activity: each piece feels like an extended frozen moment of serenity while also being a continually evolving set-piece wherein myriad musical episodes occur. The album’s five tracks fold ambient textures and the real-world noises of field recordings in amongst electric piano, guitar, and synthesizers. Listing the elements in such manner obscures the fact that Deupree is more focused on shaping sound, no matter its originating form, into an overall whole whose impact is far greater than the sum of its parts.” –textura.org

Taylor Deupree – Shoals
shoals

Digipak

“Particles of percussive sounds – bells, wood, mallets – are caught by the loop and repeated into a hypnotic underbelly that is coated with a loosely strung Celempung droned by an eBow. The unexpected and almost playful sounds of the instruments’ natural surfaces and room sounds are in stark contrast to the smooth tonal melodic elements, yet together they create an immersive space that seems to offer a microcosm of exploration.” –!2k.com

The New Hypnos Store and Special Discounts

When Hypnos first launched an online store almost 20 years ago, we used a shopping cart software called Miva Merchant which we’ve continued using until now. We’re finally ready to launch our new online store utilizing a new software platform, and stored on a separate internet domain.

http://www.soundswim.com

soundswim-logo

During a transitional period, we will be leaving the old Hypnos store active, gradually moving items over to the new store and deleting them from the old store. Along the way, there will be times when some items or categories are available on both stores. You’re welcome to order from one or the other, but please be aware that we will be actively deleting things from the old store, so something might be available one minute and gone the next.

The old Hypnos store carried a stock of up to 2,000 items in the past, and we’re looking to not only give the store a nice facelift with improved technology, but also to start carrying a more narrowly focused catalog of items, more like 500 items. For this reason, not every artist, label or CD we previously carried will be moved over to the new store.

To give additional incentives for our customers to help us close out selected stock from the old store, we’re offering these coupon codes for the old Hypnos store.

CODE: 15PCTOFFANY (15% off any size order)

CODE: 25PCTOFF100 (25% off any order over $100)

CODE: 35PCTOFF250 (35% off any order over $250)

These coupon codes are all good through the end of the year, and can be used as many times as you like during that time, though the old Hypnos store will almost certainly be shut down before then!

Again, you are welcome to order at the new or the old store at any time, and many of our newest items have been added only at the new SoundSwim store. Unfortunately we are not able to allow you add items from the new store to orders on the old store, or vice versa. Coupon offers from one store do not apply to the other, and remember, items will be removed from the old store wihout further notice.

We sincerely thank you for two decades of past support through our old Hypnos Online Store! Now, we look forward to continuing to serve the ambient music community for many years to come using our soundswim.com store, and now that it is fully open, we will get back to more actively curating items to offer for sale.

Newly Added: Hic Sunt Leones/Aglaia

Hello, everyone!

This week we’ve got some newly-added Aglaia items for you from HIC SUNT LEONES:

Aglaia – Primeval Nebulae
–$13.99
hsl81

“It seems to be a great creative period for Gino Fioravanti, alias Aglaia, that with each new release continues to expand their vocabulary and to enriches its palette of sounds and colors. The immersive power of this work has reached the pure fusion with listening, a liquid quality.. osmotic, it is an act that rejoins the source of consciousness from which all true art springs. The electronic sounds have lost any artificial appearance and seem to be generated directly by the flow of blood, breath, meditation and dreams…
The unfathomable depth does not fail to amaze me, his regenerating power and ability to harmonize different levels , has qualities that go beyond, the music ranges with atmosphere and interior spaces that open up, and follow each other from one track to another, respecting the invisible stages of imaginary multidimensional paths in their incessant and relentless pursuit. “Primeval nebula” and “Intangible opacity” will find a broad consensus among both fans of Aglaia, that whole scene of electronic and the environment music, which apparently has achieved full expressive vitality here, in a solution of continuity with transcendence. (label press)” -aliodie.bandcamp.com

LISTEN to the track, “Hyperbole” from this album.

Aglaia – Florealia Nocturna –$13.99
hsl82

“Imagine yourself a delicate fog or mist hovering above a primordial, somewhat sparse and intensely calm landscape. That would be this album in a nutshell. Superb!”
-Brian Bourassa@bandcamp.com

“This is music at the threshold of still point, with slow moving waves and textures that seem to be modulated by local atmospheric conditions. Organic and minimal, yet rich and full, with plenty of interior space to explore. When you experience this music outside the boundaries of your dwelling the playback apparatus disappears and the sounds seem to emanate from the surrounding environment. This is nocturnal ambient music at its best.”
-Sean Washburn@bancamp.com

LISTEN to the track, “Stramonio” from this album.


Aglaia – Ephemeral Blue
–$13.99
hsl83

“While ‘Florealia Nocturna’ is music for the night, ‘Ephemeral Blue’ is music for late evening stillness. Deep, delicate and rich textures slowly modulate and weave a lovely tapestry of dreamy sonics. All edges are smooth and notes bloom with a welcome softness. Nothing here is fighting for space. Each element fits perfectly within the sound field. Highly recommended.”
-Sean Wasburn@bandcamp.com

LISTEN to the track, “Invisible Forces” from this album.


Aglaia – Intangible Opacity
–$13.99
hsl84

“Intangible Opacity’ dares to visit the place where the Earth’s atmosphere ends and the infinity of space begins, following the physical and chemical processes that occur in the ionosphere. The sound is based on warm but at the same time somehow distanced synthetic textures, and classical ‘el-music.’ Gino Fioravanti, alias Aglaia, that with each new release continues to expand their vocabulary and to enriches its palette of sounds and colors. The immersive power of this work has reached the pure fusion with listening, a liquid quality… osmotic, it is an act that rejoins the source of consciousness from which all true art springs. The electronic sound have lost any artificial appearance and seem to be generated directly by the flow of blood, breath, meditation and dreams… The unfathomable depth of these two new albums does not fail to amaze me, his regenerating power and ability to harmonize different levels , has qualities that go beyond, the music ranges with atmosphere and interior spaces that open up, and follow each other from one track to another, respecting the invisible stages of imaginary multidimensional paths in their incessant and relentless pursuit.”
-aliodie.bandcamp.com

LISTEN to the title track from this album. (Please Note: The album cover pic in the video is incorrect.)


Aglaia – Angelus
–$13.99
hsl85

“Angelus is an album that celebrates the solemnity, is to see the abstract with eyes looking up. The eternal is contained in a sound reverberates and echoes without gaps. Aglaia explores sometimes transcendence, at times introspection. Without boundaries defined flows in search of deep resonances, he meets them; there is surrender to the masses of stray sounds timeless, direct with a slow move towards peace.”
-aliodie.bandcamp.com

LISTEN to the track, “Adagio” from this album.

Aglaia – Leaves & Thunderstorms –$13.99
hsl86

“The pieces move like rippling waves , like natural elements , such as puddles that reflect the sky , are vapors , breezes , forgotten impressions of the past. In ‘leaves and thunderstorms’ Aglaia uses sounds like watercolors , delicate aquatic tones that change made in a calm light. The album flows light and transparent , but has enough shadows and shades of gray , if poetry , descriptions of filtered nature.”
-aliodie.bandcamp.com

LISTEN to the track, “Wall Cloud” from this album.