Hey everyone, we’ve got a few new store additions for you this week, so come and check them out at the Hypnos online store.
“Sound Postcards is a sound representation of determinated time-space, of its moods and atmospheres, it’s a sort of soundpostcard in which the artists portray a familiar and hypothetical landscape. The listener is induced to ”identify” the represented subjects through interpretative processes which directly compare sound suggestions with subjective/collective imagination. A semanthic game of mirrors reflecting forms in perpetual transition between auditive dimension and symbolic/mnemonic one. “Soundpostcards” is the first collaboration of this two artist, originally releasesd (2004) in two different mp3 work, now reissue for the first time in CD after a been REWORKED and added with an unreleased track. The Sounds is really inmost and peacefully melancholy. Lost and naked melodies (some times near to the feeling of the most dilatated post rock other time much more near to the aesthetics sounds of the avant folk music) on a soft background of field recordings and drones.” -soundohm.com
Various artists. Voted “Compilation Album of the Year” by listeners of Scott Brodie’s and Matt Gribo’s Canadian radio show, “The Nightflight.”
“This is no. 4 in the ongoing, very successful series of electronic music inspired by the X-Files. Same as for the former parts, several teams of e-musicians teamed up in the studio, bringing adventurous music to life that wouldn’t have happened otherwise. On “Four, The Truth” you this time can hear the stunning results from e.g. Ian Boddy, Vidna Obmana, Mario Schönwälder, Detlef Keller, Kees Aerts, Harold van der Heijden,Volker Rapp, Eric van der Heijden and of course Ron Boots. Those who already have the former three CDs, don’t miss this one. If you’re not yet familiar with it, do buy this one and become an addict of this unique concept music too!” -groove.nl
“This is my personal favorite of the four CDs. The familiar sequences, atmospheres and rhythms are still here and there is more! There is some expansive and stark minimalism to augment those familiar features. The samples are more freely interwoven and the experimental textures are more fully integrated into the theme. The mystery and sci-fi elements are here as well. Again, the music demands deep listening and concentrated meditation. Indeed, I found it difficult to write while I listened.” -Jim Brenholts
Full color, shrink wrapped, pocket sleeve and professional CDr.
“’Into The Current’ is a 60 minute composition that stands as a document of, and tribute to, my experience at Steve Roach’s ‘SoundCurrent Master’s Class’ in late September of 2007 at his then home and studio in Sonoita, Arizona. Myself and three other artists, Ben Garvie, Chad Kettering and Roy Mattson, spent a life-changing week immersed in the supportive and stimulating environment of Epona Equestrian Center and Roach’s Timeroom. During those few days, we ate great food, talked much, listened deeply, shared widely and slept a little. My sincere gratitude goes out to these four men for the experience they gave me—it was an utter privilege to share that depth of time, spirit and music with them all. Field recordings, overtone flute, bass flute and keyboard textures are interwoven to create this serene and multilayered journey into soul and memories of warm desert breezes, shaded canyons, crisp mountain streams, cool nights and deeply rooted memories.” -stevebrand.bandcamp.com
“‘We Could For Hours’ is the first collaboration album between these two Italian musicians. Here, Fabio ORSI – old keyboards, organs, laptop, old samples – and Valerio COSI – saxoloop, synths, electronics, electric guitar, harp, radio – offer four long instrumental tracks of relaxating ambient music, evolutive, rich in sounds and atmospheres, full of catching melodies,…. a very nice album of ambient music, housed in a textured digifile.” -alchembria.pl
Listen to part one from this album HERE.
ARC – Glassine 1 –$11.99
“ARC formed in 2000 at a performance at The Ambient Ping, Toronto’s long-running live experimental music series. ARC’s sound is centered on the melodic loops, texture, and samples provided by heavily effected guitar and other melodic instruments. This is overlaid with tribal rhythms made by various percussive instruments; drum kit, djembe, tabla, wood blocks, and more. With this combination, the trio creates a roiling tapestry of psychedelic drone music simultaneously prim(ev)al and avant-garde.”