Weekly Sale Item: Mother Sunrise

This week’s sale item is Sola Translatio’s “Mother Sunrise,” marked down from $11.99 to just $5.99 through June 22nd.

MOTHER SUNRISE
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Italian ambient sound master Alio Die (best known for his previous collaborations with ambient & experimental artists like Robert Rich & Vidna Obmana), and younger Italian newcomer Opium, collaborate under the project name Sola Translatio on their first project for Hypnos, MOTHER SUNRISE. Combining an entrancing mix of natural recordings (water, wind, soil, forest) and electronic textures, MOTHER SUNRISE conveys a descent into the natural world at its grittiest, most organic, and most truly “alive.”

Usually ambient & atmospheric music is primarily electronic, or perhaps utilizes guitars or other acoustic instruments, with electronic treatments. While this recording does integrate such conventional instrumentation in part, it derives its truly unique flavor through the liberal use of natural “location” atmospheres (recorded in the Far East as well as Italy), as well as organic percussive elements.


REVIEWS:

“Two of Italy’s most respected artists in electronic sound, Alio Die (Stephano Musso) and Opium (Matteo Zini), have combined their abilities on the album MOTHER SUNRISE. The duo, working under the name Sola Translatio, uses a sonic vocabulary that seeks to reach the human in us by speaking to our memory. Each of the eight individual tracks incorporates familiar environmental sounds with beautiful and unique electronic textures to produce an album of introspective and sensual ambient music. Each piece slowly develops its sense of place and mood and gradually colonizes the mind with an aural landscape only as varied as the intellects and experiences used to interpert this music.” –Chuck VanZyl, host of Star’s End radio

“Sola Translatio is the collaborative project between Alio Die and Opium. Many Ambient/ Space/ Atmospheric fans know Alio Die for his work with Robert Rich and Vidna Obmana, but few know his partner Opium, a relative unknown in the Ambient genre, but be sure your familiarity is unimportant because this recording can be appreciated without knowing any of this. Mother Sunrise is a fine Ambient recording that was undertaken in a profoundly interesting way, as it consists of mostly minimal electronic processing and percussion, and more importantly natural “location” atmospheres, or field recordings. This is important to note because as soon as this recording comes on there is something that makes this recording distinctly different and profoundly interesting. This is true Ambient, it’s not really atmospheric, it actually reminds me quite a bit of Robert Rich’s Somnium but I’m sure that’s just the use of the natural environmental sounds to compliment the minimal use of contrasting timbres. With Mother Sunrise Sola Translatio have created a profound excursion into the depths of a natural landscape ambience. Fantastic recording!” –Matt Borghi, The Organization of Sound

“The master/novice relationship at the core of Sola Translatio spawns a 74-minute series of scenic organic/electronic permutations. Veteran ambienteer Alio Die collaborates with newcomer Opium to construct the sprawling droneworlds illuminated by Mother Sunrise and decorated with tastefully-applied field recordings.

Trickling rivulets and warmly glowing tones seep from superior spells to simply simmer in a vast expanse of protoplasmic goo. Slow-moving cycles of warm air float on the rays of mother sunrise (13:59), hovering above avian chirps and fluid splashes. Clattering bamboo and thumping waterdrums (and maybe a little throat singing?) drift easily into this peaceful reverie. With nearly imperceptible waves and a backing of insect chirps, awaken spirits drones resolutely, gathering higher layers of wisp as it mutates. Low rumbles (percussive? mechanical? volcanic?) stir beneath the continual, shimmering organ breeze of lullaby for the desert moon (5:18). The hushed gurgling of an undercurrent in castevoli is entwined with synthesized streamers and occasional flutey twirls, closing this experience in their tranquil cascade.

Often still, but never stagnant, the musically-tinged atmospherics of Mother Sunrise evolve with eight tracks of organic listening at its most sublime. The veteran/rookie combo of Sola Translatio scores an 8.8 with their slow-motion environmental dronescapes.” –David Opdyke, The AmbiEntrance

READ/LISTEN/PURCHASE HERE.

Weekly Sale Item: Lost Terrain

This week’s sale item is Jeff Greinke’s ‘Lost Terrain,’ priced at $5.99 through June 15th.

LOST TERRAIN
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Seattle’s Jeff Greinke is considered by many to be one of the great talents in the ambient/experimental music scene. His career has progressed from early experimentalism, through his mid-period ambience and fourth-world atmospherics, to his recent work in a loop-oriented world/jazz/ambient hybrid style. The one release of Greinke’s most often mentioned by fans of his work is 1992′s LOST TERRAIN, originally issued by Silent Records. With a sound that ranges from austere minimalism reminiscent of Budd and Eno, to strange, surreal soundworlds uniquely Greinke’s own, Terrain showcases all that is strong and unique about Greinke’s work. Out of print for several years, this crucial mid-period release is now available again, digitally remastered and repackaged, from Hypnos Recordings.

REVIEWS:

“This is one of Jeff Greinke’s best releases to date and definitely worth the words “an ambient music classic.” Greinke’s inspiration comes from both Brian Eno and Jon Hassell, and while some of the tracks display their influences, others are much more undefinable, carrying the listener through a number of distinct worlds, some of indescribable splendor and hypnotic wonder. Both “The Cry” and “River of Wood” incorporate the same type of microtonals and sampling of sounds as Jon Hassell’s works. Opener “Terrain of Memory” has Eno-like piano shaping its textures, while “Spires” is sent spiralling my guitar harmonics. The other tracks reach rich primal depths of amazing texture like the spooky “The Moor” or the pastoral “Falling Away.” Overall, what hypnotizes the listener is the sonic breadth of the music. Each piece is a distinct sculpture that resonates in the air with purpose, showing its surreal beauty before continuing on to an equally transfixing piece. Surely a gift for ambient listeners, if you missed this first time around, here’s your chance.” –Mike McLatchey, Expose Magazine

“Although his ability to create rich, experimental ambience is very apparent on certain tracks, the prevailing sound is haunting, dreamy ambience with excellent touches of piano. Works well for late night listening, With dimmed lights and proper setting, it gives you that nice, soothing feeling.” — Vladimir Jovanovic, Inner Space Radio, Zagreb, Croatia

“Instant fog bank. Just add CD player…. You don’t hear this music as much as absorb it through your skin…. There’s poignancy to this swirl of sound that lends it a substance such ethereal music rarely manages.” –Glen Hirschberg, The Seattle Weekly

READ MORE/LISTEN/PURCHASE HERE.

Hypnos Music on Hearts of Space

We try to make note of instances of Hypnos CDs receiving airplay on the major radio shows, but failed to make note of a couple of instances of getting airplay on one of the “biggies” this Spring — Hearts of Space radio.

Here’s a couple of playlists:

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PGM 1039 : “SPACE GUITARS 11″
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PGM NOTE : a guitar-o-nautic journey on electronic strings
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FEED DATE : 3-28-14
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BUCKETHEAD
“Baptism of Solitude” (edited) < 0:00->5:05 >
: ELECTRIC TEARS; Meta MT0015; 2002
: Info: www.metastation.com; www.bucketheadland.com

ERIK WOLLO
“Blue Rondo” (part) < 5:05->10:13 >
: TIMELINES; Projekt PRO298; 2014
: Info: www.projekt.com; www.wollo.com

BUCKETHEAD
“Padmasana” (edited) < 10:13->17:50 >
“Electric Tears” < 17:50->23:26 >
: ELECTRIC TEARS; Meta MT0015; 2002
: Info: www.metastation.com; www.bucketheadland.com

CLIVE WRIGHT
“Cassiopia’s Necklace” < 23:26->36:02 >
: TAQSIM TO ANTLIA; Darla DRL 242; 2010
: Info: www.darla.com; www.desertskymusic.com

IGNEOUS FLAME
“Electrolyte” (part) < 36:02->42:26 >
: LYRA; LuminaSounds LS-06; England 2011
: Info: www.luminasounds.com

JEFF PEARCE
“Passage to Home” (part) < 42:26->49:18 >
: DAYLIGHT SLOWLY; Hypnos hyp1813; 1998/2010
: Info: www.hypnos.com/artists-jp.php; www.jeffpearcemusic.com

HAMMMOCK
“Hope Becomes a Loss” (part) < 49:18->54:23 >
: OBLIVION HYMNS; Hammock Music [no catalog #]; 2013
: Info: www.hammockmusic.com

BUCKETHEAD
“Spell of the Gypsies” (edited) < 54:23->58:59 >
: ELECTRIC TEARS; Meta MT0015; 2002
: Info: www.metastation.com; www.bucketheadland.com

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PRODUCED BY : STEVE DAVIS and STEPHEN HILL
=——————————————————————–=
BAY AREA WEATHER : omniseasonal
=——————————————————————–=
(c) 2014 Hearts of Space

***

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PGM 1037 : “THE LONG NIGHT”
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PGM NOTE : a nocturnal winter journey
=——————————————————————–=
FEED DATE : 2-21-14
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JEFF GREINKE
“The Moor” (edited) < 0:00->3:27 >
: LOST TERRAIN; Hypnos hyp1916; 1999
originally released by Silent Records [SR9219], 1992
: Info: www.hypnos.com; www.jeffgreinke.com
–segue–
ROBERT RICH
“The Other Side of Twilight” (conclusion) < 3:27->12:21 >
: NUMENA + GEOMETRY; Fathom 11077-2; 1997
original LP release: NUMENA; Multimood MRC 005; Sweden 1987
: Info: www.valley-entertainment.com/artists/robert-rich.html;
www.robertrich.com

A PRODUCE
“The Big Sleep” < 12:21->21:20 >
: SMILE ON THE VOID; Hypnos/Trance Port hyp2129; 2001
: Info: www.hypnos.com/aproduce

STEVE ROACH and KELLY DAVID
“Season of Nights” < 21:20->31:35 >
“Calm World” (part) < 31:35->37:23 >
“Last Light” (edited) < 37:23->42:14 >
: THE LONG NIGHT; Projekt PRO297; 2014
: Info: www.projekt.com; www.steveroach.com; www.kellydavid.com

SEAN WASHBURN
“Cirrus” < 42:14->48:59 >
: WAVE MANTRA; self-published [no catalog #]; 2000
: Info: www.sean-washburn.bandcamp.com

NUNC STANS and MYSTIFIED
“This Infinite Night” (part) < 48:59->51:53 >
: ONE THOUSAND DREAMS; DataObscura DOCD 042; Canada 2009
: Info: www.dataobscura.com; www.mystifiedmusic.com

A PRODUCE
“Inner Sanctum” (part) < 51:53->58:59 >
: SMILE ON THE VOID; Hypnos/Trance Port hyp2129; 2001
: Info: www.hypnos.com/aproduce

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PRODUCED BY : STEVE DAVIS and STEPHEN HILL
=——————————————————————–=
(c) 2014 Hearts of Space
=——————————————————————–=

Our sincere thanks to Steve Davis and Stephen Hill for the support of our label and our artists. It’s wonderful to see older music like this getting continued airplay.

 

 

Weekly Sale Item

This week we’re bringing you a great item from our Binary sublabel: Paul Ellis’s “Into the Liquid Unknown,” marked down from $10.99 to just to $5.99 through June 8th!

INTO THE LIQUID UNKNOWN
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Into the Liquid Unknown is a bright and distinctive piece of modern electronic music. Those of you who are more interested in true e-music — shifting synthesizer patterns, beautiful resonances, expressions of the soul of the machine — will delight in this fantastic, fresh recording.

Using a dash of classic European e-music as a reference point, but never for a minute sounding like an artist exploring any path buts Ellis’s own, INTO THE LIQUID UNKNOWN supplies that modern synth music “fix” for listeners who remember their excitement at first hearing Wendy Carlos, Jean-Michel Jarre, Synergy, or early Tangerine Dream… but for people who already own all those albums and don’t want to hear them re-done. Like the first albums of Alpha Wave Movement and Synthetic Block, this album utilizes just the right limited measure of “classic” and moves on from there to create something new.

Working within a theme of the exploration of the ocean’s depths (see the title), Ellis takes the listener on a nearly exhausting musical roller-coaster of pulsing arpeggios, cascading mechanistic sequences, lilting melodic passages, and gradually to brief interludes, before cranking the energy level up again.

REVIEWS:
“This 73 minute CD is the second release on Binary Records, profiling the solo endeavors of Dweller alumnus Ellis.

Commencing with delicately fluid tones, this music swiftly evolves more stamina and effervescence with demonstrative riffs that capture the listener’s attention. That sonic grip tightens with each passing moment as the melodies swell and grow intricate. The pulsating harmonies never flow over-the-top, remaining active but sedately unaggressive. High-end snarls twirl into engaging textures peppered by astral blooping and the distant clanking of antediluvian machinery. This liquid music seeps like a glistening nebula, immersing the listener in a turgid but pleasant pool of fanciful sound.

Considering this CD’s title, it’s no surprise that much of this music explores a fluid quality. Keyboard notes spill forth like swift waterfalls, casting melodies out to undulate along invisible streams that splash around the audience with vibrant result. When the songs ease back to allow the listener to catch their breath, the calming passages adopt the vastness of a placid ocean under a night sky of urgent stars.” –Matt Howarth, Sonic Curiosity

“This is the real deal, essential pure blooded sequencer music at its best! Rarely do I get this kind of hit of inspiration from other music where I want to get in the studio and kick start the Doepfer and let it rip. Really Paul, it’s a beautiful statement that feels vital and fresh at the same time with the roots running back to historic cornerstones of sequencer based music.”
–Steve Roach

“Ellis, a remarkably talented synth programmer, gives us the silky smooth pads and authoritative commanding e-rhythms associated with good spacemusic. The emotional side comes out too in the albums insightful harmonic selection and progressions. As you listen to any of the pieces on this album you are in the midst of a thought process as Ellis attempts to bring order to the cosmos into the chaos of life. Into the Liquid Unknown was created through the intertwining of technology, aesthetic and individual quality. The relationship between Ellis and his music is a complex one and drawn onto disc for us to contemplate that which is held in the mind of the artist.” –Chuck Van Zyl, Stars End radio

“An instant classic on first listen” –Paul Lawler, Arcane

“There’s a “European” quality to his work with the inevitable comparisons to Kraftwerk, Tangerine Dream and Jean-Michel Jarre, but this is less pretentious. Ellis is more interested in tracery and texture and interweaving strands of sound, a kind of abstract electronica…. If there’s such a thing as “Classical” electronic music, this is it.” –Hannah M.G. Shapero, EER-Music

Read lots more reviews, listen to MP3 clips and purchase HERE.

CD Release: Ice Diving by Subradial

Artist: Subradial
Title: Ice Diving
Label: Hypnos Recordings

Subradial is the musical alias of Tomasz Szatewicz, who was born in the small Polish town of Mragowo. He’s been creating electronic music for twenty years, and has previously released the albums Bioloophorm 1, Bioloophorm 2 and Biorephorm on labels such as dataObscura and AtmoWoroks. His more recent work combines drones, subtle rhythmic loops and textures into churning, visually evocative soundworlds.

icediving-tease

Of his inspirations and approach, Tomasz AKA Subradial says: “I was always inspired by listening to the sounds of the environment… I use everything that sounds interesting and what I can further process to create the imagined soundscape, a vision of some place, express my emotions or moods connected with particular times or places, either existing in real life or just imagined/dreamed.”

hypnos-s-id-ext

Ice Diving, his first release for Hypnos Recordings, is an album composed around a theme suggested by the title: a soundtrack to an underwater journey. Like the title, the cover photo (from an actual ice diving expedition in Antarctica) gives a sense of the sound worlds evoked by Subradial’s music. Many ambient recording artists apply titles to their music intending to suggest a theme, but here the effect is especially strong.

hypnos-s-id-int

Ice Diving is an extraordinarily visual and immersive sound journey, with a wonderful balance between atmospheric/drone elements, and more musical or rhythmic components. We hope the sound samples offered below will convince you to take the trip. Hypnos Recordings presents Subradial’s Ice Diving.

MP3 sample clips for all 13 tracks:
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Purchase direct for $12.99 ($8.99 intro price until 6-5-2014 only)