In an ongoing effort to clear some space on our shelves for fresh product, we’ve permanently price-slashed another portion of our inventory. Many of these items are extremely low in stock, so grab some great bargains before they’re gone from the store, possibly forever!
Nunc Stans – Meridian –$6.99
Nunc Stans has always been inspired by far northern landscapes and the subjective states that accompany or are induced by them. Much of this collection is a sonic analog of those landscapes … drawn in sound across the silence. A sublime journey through expansive soundworlds, rich with detail, immersive atmospheres, and an underlying grandeur. -Dataobscura
“The grungy, organic second release from Broken Harbour. Source material is comprised exclusively of processed samples and loops derived from classical vinyl records, and choral, mellotron and piano recordings.” –brokenharbour.bandcamp.com
Judah – Judah –$5.99
The second full-length from Judah who have been described as the Italian Suicide. Indeed, cold and analogue minimal electronics with really toxic and vicious vocal parts. An incredible collision between the rock’n’roll mood of the sixties and the savage punk electronic world of early Suicide. -soundohm.com
Starting from simple recordings of sounds produced by everyday objects (…such as paper, scissors, kitchen stuff etc.), treated mainly with two delay machines, Favaron has collected eleven compositions. the idea behind this new release is to create some patterns based on the repetition of small sound particles obtained from a single source. in the eleven tracks on the album, mostly of short duration, we witness the proliferation of particular sound events that, sometimes wandering alone or sometimes by congregating into small throbbing and vital lumps, generate a vibrant microcosm characterized by short loops, slowly but constantly evolving.iIn some cases, as for example in the more long-lasting closing number, the simplicity of the construct and the infinitesimal tonal progressions are appreciated for their intrinsic hypnotic quality. -silentes.it
Packaged in a slim folder with a limited edition of 250
A purely electronic expression of five long-form pieces that blend ambient sound design with rhythmic electronics, recalling the classic works of genre masters like Tangerine Dream, Klaus Schulze or Vangelis; but with a restrained modern air. With a mixture of synthesized sonics, both melodic and cerebral, the music brings to mind the unfolding expanse of the cosmos, stated with a graceful patience that propels the steadily evolving, constantly moving synthscapes to a highly personal level. -spottedpeccary.com
Long after the first two releases issued by Ground Fault and Edition Ellipsis, and/OAR & Alluvial Recordings are pleased to finally be able to present the final release in a trilogy covering the sonic expeditions of the French location-specific electroacoustic trio Afflux (Eric La Casa, Jean-Luc Guionnet & Eric Cordier).
This release summarises what was initially a 6 hour performance / installation / radio broadcast that occurred at the TNT cultural centre in Bordeaux, France. The TNT centre is situated inside a former shoe manufacturing building. With several hundred meters of cables, the exterior and interior of the building were recorded using several different condenser and contact microphones, modified and mixed in real time on a 32 channel mixing desk. Simultaneously, the live mix was played into the concert hall / space using 8 channels for 8 loudspeakers. While the improvisers were on the upper level, the audience was listening and walking around on the lower level. The final mix for the CD was edited by Eric La Casa.
Loren Nerell – Lilin Dewa –$6.99
Fantastic, exotic, tasty stuff from Nerell, whose recent TAKSU continued along a similar vector.
Dream In Blue is the Fall 2011 release by the celebrated artist Darshan Ambient (aka Michael Allison). As with previous Darshan Ambient releases, Allison’s melodies and harmonization are sublime, and his rhythms, while complex, evoke a sense of effortlessness that leave the listener engaged and fulfilled. At times, the album brilliantly weaves Jazz motives through ambient forms, while never abandoning the compelling, signature style of electronic music for which Darshan Ambient is known.
The album began as an homage to Miles Davis and John Coltrane, and on a few of the tracks Allison expertly explores new territory, straddling the line between ambient and jazz, while building on the powerfully appealing electronic sound heard on earlier releases. -spottedpeccary.com
The Circular Ruins live from the Atmostreams web broadcast of June 2004. An alchemical mix of rhythms, ambience, and leads. Electronic Music realized in a live performance often possesses a quality unattainable in studio works. In the practiced spontaneity of live improvisation, what is played next really matters as one cannot go back and recapture any given moment once it has past. On The Alchemy Concert (69’20”) by The Circular Ruins (Anthony Paul Kerby), the music was created live before an unseen Internet audience. Even though the eight tracks are each a work unto itself, the album provides a coherent listening experience. The overall mood of The Alchemy Concert is pretty mellow. Beats and rhythms are introduced slowly and provide a soft foundation upon which calm and silvery synthesizer pads float. Choices in the way of timbre and tonality reveal an artist who can trace his heritage back to the chillout room – where perceptions vary with the individual. The compositions themselves seem to have a basic structure, around which Kirby adds the motion of melody, harmony and spacey effects. This album centers on calm and friendly sonic fantasies but does offer contrasting sounds with the occasional darkening air castle or cross modulation. These moments add a small amount of nonconformity and uncertainty to the overall experience, which is ultimately less about music than it is state of mind. -databloem.com
Nosesoul project is pure improvisation, my sessions have been improvised and directly mixed with Francesco’s voices. These sounds are pure breathe, pure prayers, pure mourns and pure pleasures to me. I hope this experience won’t leave me through my next years. -TeoZini/Opium
Ambient experimental sounds combining the ‘Francesco’ voices with improvisational programming from Opium. Francesco Paladino here provides vocalisations that range from moans, whines and nasal tones through to various mutterings and mournings. Teo Zini or Opium surrounds these utterances with layers of ambient electronic texture and processed ‘wave editings’. There sultant sound is a mysterious organic sound installation that is suggestive of various dream states – jangling bells, buzzing flies, birds, water droplets and hypnotic drones hang in the aural air – ambiguous, evocative and unsettling.Titles add to the dreamy mood of the music – ‘grasswall painted green’, ‘me, the sky sleeping’, ‘sunrise overflow’. -aliodie.com
Ethnomusicologist Loren Nerell has spent time abroad studying gamelan music of Bali and Java, and relives the visit with this recorded account. A definite documentary feel accompanies Indonesian Soundscapes, though it can certainly be listened to ambiently, effectively bringing another world into your home environs. Actual field recordings document musical ceremonies, natural sounds and locational atmospheres, making for an enveloping sonic travelogue.
Extremely dark atmospheres, restless and dramatic… Sharp masses of metallic noises cleave pulsating substrates of low frequencies, mixed with magmatic agglomerates of more processed sounds of an unrecognizable nature… Moments of stasis and apparent quietness… Handfuls of minutes of an unutterable, hanging and distressing tension… Sudden showers of vibrant frequencies that emerge from nowhere and bury everything under an heavy and devastating sonic mantle… A real masterpiece of incredibly dark and subterranean music. -Silentes
Delicate and fragile dreaming atmospheres, melodic and hypnotic ambient light sparks, sonic landscapes both semi-acoustic and then close to shoegaze, introspective lyrics almost whispered by a simple and gentle voice, mainly based on evocative and shiny, delicate, and dilated electric guitar riffs laid on discreet rhythmic backgrounds, sometimes simply backed by acoustic guitar chords, in a singer-songwriter mood. -Silentes
Ezdanitoff – We Bring Light –$6.99
Extreme and uncompromising electronic stimulations, vibrations and synthetic pulsations floating off, disturbing buzzes and algorithmic waves in expansion, fragmented and deconstructed Synthetic Chaos… But also hints of hypnotic unfinished musical sketches, clips of embryonic melodic sequences, fragments of human voices, oscillating electronic pads, distorsions, improbable synthetic clones of nature sounds and noises… An intransigent work of disturbing and destabilizing electronica by Wouter Jaspers and Frans de Waard, especially recommended to listeners from other worlds… -silentes.it
“Mark Spybey’s been having his way with rhythm and noise for so long that the motifs he’s ascribed over the years are practically commonplace amongst the novice post-industrialist, or hell, the post-whatever. His is a sound that summons any number of nocturnal beasties from the ether. Throughout the last 25-plus years, he’s plied his trade and remarkable sonic mojo both solo and in the company of many a forward-thinking electronic engineer. His collaborators include cEvin Key, Eric Pounder, Jean-Yves Theriault, Jarboe, Mick Harris, Martin Atkins, James Plotkin, Mark Nugent, Orphx, Phil Western, David Wright, Zev Asher, Darryl Neudorf, Ryan Moore, Niels van Hoorn, Kinder Atom, Evolution Control Committee, Chris Connelly and others. It’s as Dead Voices On Air, however, that some of his most startling ideas emerge fully-realized and fully-armed; of course, to hear Spybey tell it, once art leaves the nest it’s up to (once again) the recipient to assume the role of engager: “My work is created in isolation from external references. That is the ideal I strive for. Only in this way is it possible to allow the listener an opportunity to create their own understanding of the music, or, as the artist Joseph Beuys once said, ‘One should resort to interpretation only in an emergency.’” -Tourette Records