Weekly Sale: Binary Items

Hello, everyone!

We’ve got all our BINARY items on sale for you this week, and the low prices are good through February 5th or while supplies last.

Hypnos Recordings has established a reputation as a reliable and yet daring explorer of atmospheric and minimal ambient recordings. But some of us are interested in more dynamic electronic music, both from the perspective of the listener and the recording artist. Our customers have requested, more than anything else, that Hypnos give expression to more dynamic forms of electronic music, everything from experimental electronica, to more rhythmic ambient music, and classic European-influenced e-music. To that end, the BINARY sub-label was established, to give voice to artists both new and familiar, who were previously working in forms more kinetic than would have fit with Hypnos.

Dweller at the Threshold – Ouroborus –Regularly $8.99, right now just $5.99
ouroborus

OUROBORUS by Dweller at the Threshold is the first Binary release by a group whose members include Dave Fulton (whose collaboration THE MOST DISTANT POINT KNOWN with Hypnos founder M Griffin was released on Hypnos, to much acclaim, in 2000), Paul Ellis (whose solo album INTO THE LIQUID UNKNOWN is the Binary label debut, also released this month), and John Duval. The first Dweller album, NO BOUNDARY CONDITION (released on Eurock) had a stronger Tangerine Dream influence, but the group has since moved further into deep, deep space. Though some measure of digital technology is in use here, one of the features identifying Dweller’s sound is the heavy use of analog modular synthesizers. Fulton relies heavily on a refrigerator-sized bank of Doepfer modular synths and a Synthesis Technologies (MOTM) system, while Duval uses “The Fist of God,” a massive Serge Modular system.

The use of all this expensive, esoteric analog synthesis gear is no mere “synth geek’s vanity” — the sound of Dweller at the Threshold possesses a character and clarity that would simply not be possible with modern digital synthesizers. An audience member at a recent DATT concert in Portland was overheard afterward saying “I haven’t heard something that good since Tangerine Dream was young.” That isn’t to say that Dweller intends to mimic the German synth music greats — just that their sound has enough substance to thrill even the most jaded e-music fan.

REVIEWS:
“Once again, the past comes to our rescue with the Dweller at the Threshold release Ouroboros. As so many of today’s artists in electronic sound have been influenced by the classic cosmic music of the 1970s, so has Dweller at the Threshold. The great thing about DatT is that this group has captured the mood of the era without becoming a cliche. DatT explores this realm of music while retaining their own true voice. Due to their unique approach to music and technology, DatT produces compositions that are distinctly their own. Sure, present are the syncopated electronic rhythms, haunting mellotron leads and unearthly morphing effects we look for in good spacemusic, but DatT produces all this off-center enough to give the attentive listener a refreshing pause. This is achieved by more than just a comprehension of the historical aspects of creating spacemusic, more than just the how of making sounds and what goes where, Dweller at the Threshold understands deeply the ultimate purpose and meaning of this music.”
— Chuck van Zyl / STAR’S END

.

“This is a very exciting work and a promising start of a new label.”
–Vladimir Jovanovic, Innerspace Radio, Zagreb, Croatia


Paul Ellis – Into the Liquid Unknown
–Regularly $8.99, right now just $5.99
liquid

INTO THE LIQUID UNKNOWN by Paul Ellis, a bright and distinctive piece of modern electronic music. Those of you who are more interested in true e-music — shifting synthesizer patterns, beautiful resonances, expressions of the soul of the machine — will delight in this fantastic, fresh recording.

Using a dash of classic European e-music as a reference point, but never for a minute sounding like an artist exploring any path buts Ellis’s own, INTO THE LIQUID UNKNOWN supplies that modern synth music “fix” for listeners who remember their excitement at first hearing Wendy Carlos, Jean-Michel Jarre, Synergy, or early Tangerine Dream… but for people who already own all those albums and don’t want to hear them re-done. Like the first albums of Alpha Wave Movement and Synthetic Block, this album utilizes just the right limited measure of “classic” and moves on from there to create something new.

Working within a theme of the exploration of the ocean’s depths (see the title), Ellis takes the listener on a nearly exhausting musical roller-coaster of pulsing arpeggios, cascading mechanistic sequences, lilting melodic passages, and gradually to brief interludes, before cranking the energy level up again. Definitely not for people who hate synthesizers that sound like synthesizers!


Vir Unis & Saul Stokes – Thermal Transfer
–Regularly $7.99, right now just $4.99
thermal

The third Binary release, first ever collaboration between Vir Unis and Stokes, THERMAL TRANSFER is also the most uptempo, high energy recording yet released by Hypnos or its related labels. In fact, truth be told, this recording is the very reason that the Binary label was created — so Hypnos could bring you excellent electronic music, even if the style in question was too “hyperactive” for the Hypnos label.

“I have to say Thermal Transfer now is one of my favorite hypnos family releases. Very cool production and a very nice synthesis/blending of the pairs (Vir Unis & Saul Stokes) individual styles. Recommended!”
–Dave Fulton (Hypnos and Binary artist, member of Dweller at the Threshold)


Synthetic Block – Sonic Approach
–Regularly $8.99, right now just $5.99
sonic

This Hypnos/Binary debut by Synthetic Block blends “classic EM” elements with a more modern approach. It was mastered by Dave Fulton (who also played on one track) and is sonically amazing. One of the best things about running a small record label is the opportunity to help expose more people to artists like this one, whose work merits much wider exposure. Give it a listen!

REVIEWS:
“I cannot believe that there is not more feedback regarding “sonic approach”. upon receiving my radio promo the first note on track 1 totally captivated me. block approaches sonic sounds immediately and never slows. and, of course, fulton pulls some tricks. “square triangle” is my top playlist pick because of it’s well defined and energetic change in tempo and musical registration. all tks are getting air and well deserving of such. are you guys collaborating with the russians? are you on the same interstellar link? very few composers are in touch with the same deep grooves and beats (nearly industrial), but very melodic. not wanting to pass judgement, or anything, but “sonic approach” & “fields” are two HYPNOS/BINARY tops. thank you my friends…”
–Flyingdude, WAWL Radio host, on the Hypnos Forum

“There has been quite a gap between the release of Jonathan’s 2nd release The Opposite of staring into Space and this brandnew one. Sonic Approach (8 tracks, almost 60 min.) has been worth the wait, offering another blend of classic electronics & the sophisticated infusion of modern approaches, so-called “Block-treatments”. Next to the flowing passages there are sequenced , more structured parts leading the way, but there’s always this lush, adventurous feel showing up during the whole record. The music delves into spacious territory (Quartz Marsh) but the tracks also show distinct traces of Berliner School (Square Triangle), the vast soundlayers sometimes even reminding of Schulze in his ’70- period. The later absolutely applied for the nice solo-sounds in the 12-minute track Doused. All these elements make listening to Sonic Approach a very enjoyable experience, in which you actually experience electronic music of former times get connected to the present. Well done!
–Bert Strolenberg, KLEM Magazine, The Netherlands

 

Saul Stokes – Fields –Regularly $8.99, right now just $5.99
fields

Saul’s new solo album FIELDS has been very hotly anticipated by those who have heard parts of it (one track appeared on the Atmoworks compilation PORTRAITS), as it represents at once a revisiting of the familiar Stokes sound, as well as a venturing into some very new territory. Each of his releases on Hypnos has shown growth and development over the previous recordings, and FIELDS is perhaps the greatest leap yet. A prominent radio producer who heard the album predicted FIELDS would be the best album of this year. This is modern electronic music with an individual artist’s unique personality clearly expressed throughout.

REVIEWS:
“I was fortunate enough to have heard 3 advance cuts a while back and was definitely impressed. I wrote briefly about it calling it a “Moss covered Kraftwerk” I find it very different from Saul’s other work. I must admit I haven’t heard his whole body of work, but what I had heard was in the drone/ambient category.

This music has a pulse to it. Chord progressions and melodic hooks that display and extraordinary sense of clarity and craft. The music is Saul’s own. I have a hard time finding reference points. I can see this appealing to both old school EMer’s and those who prefer more cutting-edge modern work. I understand that Saul composed the pieces on a piano before making arrangements on his hand made synthesizers (Not from a kit… he builds them from scratch.) This is an album where the music is on equal level with those endlessly fascinating tones and textures that drew us to synths in the first place. Sometimes albums are really good with one or the other facet, but Fields is firing on all cylinders. The music has an organic life that I find exists in the best electronic music.

This is a genuinely stunning album. I can tell that this one will be getting a lot of airplay here. It’s been a while since I’ve been this excited about a release.” — © Paul Ellis, on the Hypnos Forum


John Duval – Hell’s Canyon
–Regularly $7.99, right now just $4.99
hell's

Hell’s Canyon is the solo debut of John Duval, member of Binary’s own Dweller at the Threhold. Created entirely with Duval’s massive array of modular synthesizers (a wall of electronics dubbed “the Fist of God”) Hell’s Canyon is an abstract, deep-space exploration of pure electronics. With all these analog synthesizers involved, of course there’s an element of the “classic EM” sound, but this is not a retro, “Berlin school” composition. Closer comparisons would be Robert Rich’s Bestiary album (another abstract, pure modular synth piece), or perhaps even the deep-space excursions of Hypnos’s own Viridian Sun.

All performances here are by Duval himself, but fellow Dweller at the Threshold member Dave Fulton edited, assembled and mastered Duval’s original tapes into a sonically refined and cohesive recording.


Dave Fulton & Giles Reaves – The Range
–Regularly $7.99, right now just $4.99
the range

Dave and Giles met at the Different Skies festival at Arizona’s Arcosanti. The two of them hit it off musically and after nearly 4 years of hard work the CD “The Range” was the result. Why did it take 4 years? The answer is as complex as the feelings behind the music. First there was distance, then life. Many of the songs were written during periods of emotional exile, pain and just general muck. Distance provided an interesting fodder for collaboration. Songs would start off as single cells and fly back and forth over the internet until they had grown into complex organisms. The ability to let go of pre-concieved outcomes allowed the true spirit of collaboration to fertilize the ideas. A decision was made from the start to allow any instrument, tool and any feeling to propel the song. The duo’s ability to deal with the technical aspects of a long distance collaboration helped immensely but soon it became necessary to meet again and finish the recordings. In the summer of 2007 life allowed the basic overdubs to be completed in Salt Lake City. Then long distance mixing began. The result is a rich but cohesive collection of songs that range from ambient to progressive rock, and incorporate influences from tribal to electronica to new age.

Description by Chuck VanZyl, Star’s End radio host (WXPN):
“American Electronic Musicians Dave Fulton & Giles Reaves, make their East-Coast concert debut in Philadelphia within the remarkable setting of St. Mary’s Hamilton Village on 21 April 2007 as part of The Gatherings Concert Series. Local spacemusic duo Orbital Decay will open.

Giles Reaves has to his credit several influential albums of innovative electronic music, including the genre defining “Wunjo”. Dreamy, trance-inducing melodic textures figure prominently in his music.

Part mad scientist, part sonic visionary, Dave Fulton’s command of the many custom designed electronics at his disposal is formidable. Currently playing in two underground rock bands, Fulton filters this activity through his years of experience with the Berlin-School inspired ensemble Dweller at the Threshold to realize a new and unique music.

“The Range”, the debut release by The Fulton/Reaves Project, is a diverse but cohesive collection of songs that range from Ambient to Progressive Rock, and incorporate influences from Tribal to Electronica to New Age.”


Saul Stokes – Villa Galaxia
 –Regularly $7.99, right now just $4.99
villa

Always one of the most popular artists on the Hypnos and Binary labels through the years, Saul Stokes is also one we’ve been very proud to “launch” into the ambient/electronica world. The first new work by Saul Stokes on Hypnos/Binary since Fields in 2005, this is certainly one of the most hotly-anticipated discs we’ve released in years.

Saul Stokes says: Stokes’ 8th solo album to date, Villa Galaxia is a hyperfusion of sonic exploration seeded in Stokes’ seminary music past, while arcing into a completely new genre defining collection of songs. Stripping away any notion of ambient drone or chill out labeling, Villa Galaxia surfs its own ocean of contemporary electronic music culture with eccentric listenable experimentalism wrapped in catchy lyrical orchestras of electronic fireworks.

READ/LISTEN/BUY in the Binary section of the HYPNOS ONLINE STORE.

Weekly Sale Item: Vidna Obmana – An Opera for Four Fusion Works

We’ve got all four acts of Vidna Obmana’s “An Opera for Four Fusion Works” on sale this week, and the low prices are good through January 29th. Now’s the perfect time to complete your collection or pick up all four!

An Opera for Four Fusion Works- Act 1, Echoes of Steel  Was $7.99, now $5.99

act 1

AN OPERA FOR FOUR FUSION WORKS is a unique project by Vidna Obmana and Hypnos — a four-CD album, released one CD at a time. The first disc will be released in a case (similar to the one used for Robert Rich’s Humidity) that will have space for all four discs, though slots 2, 3 and 4 will be empty. The listener can then purchase the later installments as they are released gradually, and insert them into the case. The second, third and fourth discs will not be sold in their own cases, and will be shipped in a plastic sleeve only! This will allow us to release the project gradually, and will facilitate convenient storage for the completed four-disc set. Of course it will mean that you need to purchase the first disc in order to have a proper case for the other discs.

In each of the four chapters or “Acts,” Belgian ambient/experimental artist Vidna Obmana will rework or “recycle” the sound sources of a different musician or group. The four acts will be linked in a thematic sense, but will use completely different and distinct sound sources as raw material for Vidna Obmana’s manipulation.

“Act One” of the Opera (a conceptual title only — you won’t find operatic vocals here) is “Echoes of Steel” featuring guitar recordings by Dreams In Exile. The result is an austere, yet beautiful collaging of textures at once recognizably guitar-like, and at the same time abstract and strange.

Vidna Obmana continues the bold artistic exploration he began on Hypnos with LANDSCAPE IN OBSCURITY, continued with the diptych THE SURREAL SANCTUARY and THE CONTEMPORARY NOCTURNE, and most recently the two-disc SOUNDTRACK FOR THE AQUARIUM.

An Opera for Four Fusion Works- Act 2, Phrasing the Air  Was $7.99, now $4.99
act 2

“This release from 2003 offers 62 minutes of quasi-classical ambience. Accompanying Vidna Obmana’s electronics, guitars, bowed strings and infinite recycling on this recording is Bill Fox on soprano saxophone.

Taking the concept of “drone” to new levels, this music has an eternally expansive sound. The tonalities and textures flow like unbridled liquid; unfettered by gravity or inertia, they seek to fill space with their pensive disposition. The air transforms into a roiling essence, ethereal yet substantial in its shadowy presence. It’s as if thought has spilled out of the mind to take on vaporous form.

Ebow guitars and bowed strings generate the impression of an orchestral mien, distant and ghostly in its definition. Emulating a buzzsaw whose growl has been elongated until it loses its aggressive outcry and adopts a more passive euphony, these treated strings become a fundamental element that unifies man and atmosphere.

Predominant amid these soundscapes is Fox’s saxophone. Treated to become a seamless horizon of sound, the horn’s call forms impressive cloudbanks of moaning resonance. This sonic overcast blocks all light and silence, shrouding the landscape with serene moods that evoke an eternal dusk. Pulsing notes are contorted and folded back onto themselves, creating a pastiche of eerie quality.

This music offers a dense ambience that embodies dark demeanor with celestial optimism. It achieves this state with classical instruments swimming in a pool of electronic treatments. The electronics are actually secondary to the traditional instruments, used to transform rather than immerse.

Enthralling and pleasantly imperious.” –Reviewed by Matt Howarth, Sonic Curiosity


vidnaObmana – An Opera for Four Fusion Works, Act 3, Reflection on Scale
  Was $7.99, now $4.99
act 3

Each of the four acts of this project utilize different source recordings by a different artist. This time the featured artist is Kenneth Kirschner, performing on piano. The treatments and processing by vidna Obmana this time are quite daring and experimental, edging at times into the realm of “glitch” or subtle noise experimentation. Overall, though, the feel is of gentle piano sonics, with a smooth and hypnotizing atmosphere rarely disturbed by well-placed bits of digital distortion.

Belgian ambient experimentalist Vidna Obmana is working at the height of his powers here, as he nears the end of his 4-part “Opera” cycle.

The usual disclaimer applies… this music is not in any real sense “opera” music, and the term is used only to suggest the varied, multi-part quality of this ongoing release.


vidnaObmana – An Opera for Four Fusion Works, Act 4, The Bowing Harmony
  Was $7.99, now $4.99
act 4

The fourth and final installment in vidnaObmana’s ambitious “Opera For Four Fusion Works” project. Each “act” of this project involves vidnaObmana’s reworking and recycling audio sources from different collaborators.

Act I used guitar pieces from Dreams in Exile, Act II used Bill Fox’s saxophone recordings, Act III worked from the foundation of Kenneth Kirschner’s piano works, and this last installment utilizes the voice of Steven Wilson ( No-Man, Porcupine Tree, and the artist behind Bass Communion). Even those who are thinking “I don’t like voice with my ambient music” will really love this. It’s one of the most unusual and yet relevant recordings ever released by Hypnos, in which a very recognizable sound, the human voice, is progressively transformed from the familiar, into stranger and more “ambient” atmospheres. It’s captivating & beautiful.


vidnaObmana – An Opera for Four Fusion Works , Acts 1-4, 4CDs
  Was $21.99, now $14.99
all 4

Act I used guitar pieces from Dreams in Exile, Act II used Bill Fox’s saxophone recordings, Act III worked from the foundation of Kenneth Kirschner’s piano works, and this last installment utilizes the voice of Steven Wilson ( No-Man, Porcupine Tree, and the artist behind Bass Communion).

READ/LISTEN/PURCHASE in the HYPNOS RECORDINGS section of the Hypnos Online Store.

Weekly Sale Recommences with Hypnos Digipaks

Hello, all!

We still have lots to do around the new home and Hypnos Headquarters, so we’re easing back into our weekly sale with some discounted prices on all our digipak items. Sale prices are good through January 22nd, so stop by the HYPNOS ONLINE STORE soon for some great deals on our more recent releases!

Herion – Out and About –Regularly $11.99, right now just $7.99
herion

Herion is an Italian trio whose members include Emanuele Errante (known to Hypnos customers for Humus on Evan Bartholomew’s Somnia label), Enrico Coniglio (Aqua Dorsa project collaborator with Oophoi for the album Cloudlands, he also released Sea Cathedrals solo on Silentes), and Elisa Marzorati.

They’ve created a beautiful and compelling combination of delicate musical structures with “glitch” components and strange, experimental little samples. Always a pleasant, peaceful listen, Out and About brings a blissed-out classical musicality into connection with an artful edge. This combination of elements results in an especially sensitive, moving set of mood pieces. Somewhere between chamber music and minimalism, between lightness and melancholy, this trio balances elements uncommon in ambient music.


Nebulæ – The Path of White Clouds
–Regularly $11.99, right now just $7.99
path of white clouds

The Path of White Clouds explores a serene and otherworldly soundspace. Meditative and gentle, these six tracks are sure to appeal to listeners who enjoy the more spacious ambient works released by Oophoi during the height of his Umbra and Penumra sister labels. The sound sources utilized here lean more toward the organic and physical instruments, and electronic processing and synthesizers are used subtly to accentuate the rest.


Steve Brand – Avatara
–Regularly $11.99, right now just $7.99
avatara

This album has a ritual feel common to many of Brand’s recordings, though Avatara is more ambient and less percussive. The recording starts out in a place of low-key contemplation and evolves through distinct stages and moods, though it is always gentle and meditative.

Steve Brand describes some of the inspirations behind this album:
Avatara is Sanskrit for “descent” in the sense of a deity’s descent from heaven to earth. Avatara is inspired by the various avatars of various ages and cultures…Yeshua, Quan Yin, Buddha, Brigit, Krishna, Saint Germain, White Buffalo Calf Woman, and others. I’m fascinated by the idea and the various stories in various ages and cultures of humans becoming “ascended masters,” or avatars, non-human beings that still are attached to humans and choose to returns to Earth to assist them. The stories vary, and almost every culture has its masters, but one thing is consistent throughout each of their stories, they’ve realized a more expanded expression of being and awareness, of what we are and what we are capable of, and return to assist other human beings.

A Produce & Loren Nerell – Intangible –Regularly $11.99, right now just $7.99
intangible

The first collaboration between two artists well-known to Hypnos listeners and fans of ambient & experimental music in general.

While Intangible has a meditative and tranquil drifting quality, it also incorporates more melodic and rhythmic elements than most ambient music of the present day. Listeners who like their ambience musical will enjoy this as much as those who like their drones deep and mystical.

Seren Ffordd & Oophoi – The Martian Chronicles –Regularly $11.99, right now just $7.99
martian

The Martian Chronicles, inspired by Ray Bradbury’s story collection of the same name, sounds very much like the soundtrack to a mysterious and strange science fiction film that exists only in the imaginations of Seren Ffordd and Oöphoi. These seven tracks, while slow, moody and at times weirdly alien, also evoke a drama and emotional depth absent from much recent ambient music. It’s a complex and beautiful mixture of electronic instruments, field recordings and percussion.

Caul – Let the Stars Assume the Whole of Night –Regularly $11.99, right now just $7.99
caul

Let the Stars Assume the Whole of Night is a wonderful mix of sounds and atmospheres: dark without being spooky, melodic but not pretty, listenable, but too nervous and somber to ever become predictable. These pieces are more composed and structured than most ambient music, more akin to the soundtrack for some dark and moody piece of cinema. Imagine the score to an undiscovered work by David Lynch or Andrei Tarkovsky and you have the idea.


Bruno Sanfilippo – Urbs
–Regularly $11.99, right now just $7.99
urbs

Sanfilippo’s work ranges from more melodic and structured to ambient drones with more a subtle and subdued musical component. Urbs, Sanfilippo’s first project released with Hypnos Recordings, falls nicely in the middle ground among the artist’s previous work. It’s an intriguing combination of ambient textures with location sound recordings, along the lines of the classic Hypnos releases Sonic Continuum (Modell and Mantra) and Silence Speaks in Shadow (Paul Vnuk Jr.), but with more of an urban or cityscape flavor.

The title Urbs derives from the prominent incorporation urban sound environments, recorded by Sanfilippo in urban environments such as train stations, streets, bars and other public areas to explore the boundaries between the textural sounds which surround all of us day to day, and the nature of composed sound art such as music. These “real world” sound textures merge with more traditional electronics such as synthesizers and samplers, leaving no doubt as to the composed and “intentional” nature of these soundscapes.

Gentle and evocative, subtly textural and transporting, Urbs is something we genuinely expect to become a long-term favorite among Hypnos releases.


Numina – The Deception of Reality
–Regularly $11.99, right now just $7.99
numina

The Deception of Reality is the fourth Numina release on Hypnos, the first since 2007’s Shift to the Ghost. Still present is Numina’s trademark sound, combining abstract deep-space textures with subtle melodic and rhythmic elements, but with a new emphasis on more vivid sonics. Listeners seeking smooth, creamy synthesizer background textures will still find them, here overlaid with more “up front” accents. Extra care has been taken in the mixing and mastering to preserve the separation and placement of individual instruments, and we believe the result is the best pure sound experience Numina has ever come up with.


Robert Rich – Sunyata & Inner Landscapes (2CD)
–Regularly $13.99, right now just $9.99
sunyata

We’re very pleased to make available this archival 2CD digipak reissue of two of Robert Rich’s earliest albums, Sunyata and Inner Landscapes. Both albums were originally released on cassette, then issued for the first time on CD by Hypnos in 1999-2000. Two classic Robert Rich albums together in a deluxe package including 2CDs, 6-panel digipak and 8 page booklet insert.


Robert Rich – Trances & Drones (2CD)
–Regularly $13.99, right now just $9.99
tran and dron

Hypnos is pleased to collaborate with Robert Rich on this deluxe reissue of Rich’s out of print classic ambient drone work.

Originally released on cassette individually three decades ago, Trances and Drones were later released together on double-CD by Extreme (1994) and Release (2000). Our new edition, designed to be the ultimate archival version of an essential ambient/drone classic, includes a beautiful 6-panel digipak with 8-page full-color booklet insert.


Antonio Testa & Michel Moglia – Forget the Past
–Regularly $11.99, right now just $7.99
forget the past

Often ambient recordings pursue a single sub-genre or niche — dark ambient, ethno ambient or drone, for example — and stick faithfully to it. Forget the Past exhibits a pleasing diversity, with plenty of gently atmospheric stretches, rthythms that sometimes fade out and at other times build to a wicked trance churn. The sound is clean, yet derives from a full list of natural and organic sound source, and a diverse set of field recordings. One track lays gritty, hallucinogenic flute lines over a slow-swooping psychedelic rhythm mechanism and incantatory female whispers and recitations like an overheard magic spell. Another mixes bird sounds and subtle electronic atmosphere with distantly echoing percussion, creating something like a soundtrack to a lost film by Alejandro Jodorowsky. Percussion with a tribal or ethno flavor is used in an unusual way, not to fake a specific brand of exoticism, but to create a sense of something both intuitively familiar and also strangely foreign.

Forget The Past covers a lot of sonic ground and a broad range of moods, but it’s always unpredictable and fresh, while remaining smooth, introspective and restrained. We’re very proud to bring this recording to Hypnos listeners, and trust that the sample clips will convince many of you to give this a full listen.


Subradial – Ice Diving
–Regularly $11.99, right now just $7.99
ice diving

ICE DIVING is an album composed around a theme suggested by the title: a soundtrack to an underwater journey. Like the title, the cover photo (from an actual ice diving expedition in Antarctica) gives a sense of the sound worlds evoked by Subradial’s music. Many ambient recording artists apply titles to their music intending to suggest a theme, but here the effect is especially strong – an extraordinarily visual and immersive sound journey, with a wonderful balance between atmospheric/drone elements, and more musical or rhythmic components.


Dave Fulton – Of Those Things Left Unsaid
–Regularly $11.99, right now just $7.99
things left unsaid

Incorporating a blend of rich analog and modular electronics along with digital synthesizers, plus piano and guitar, Of Those Things Left Unsaid evolved over the course of thirteen years’ creation. Composed and recorded by Dave Fulton, with contributions from Jamie Haggerty and Giles Reaves, a completely organic approach to recording was taken, using a variety of vintage electronic synthesizers and early 8 & 12 bit samplers. While much modern electronic music is primarily sequence-driven and quantized to a degree that renders the music more robotic than human, Fulton tried to use computers only as recording the performances, not driving them.

Perhaps Fulton’s most emotive and personal work, Of Those Things Left Unsaid should not only appeal to existing fans of Fulton’s earlier solo and collaborative works, but also those listeners seeking a blend of retro and modern electronic sounds with a smooth musicality.

Follow the links to SEE MORE/READ MORE/LISTEN TO MP3 SAMPLES/PURCHASE.

Moving Update

Hello everyone,

After a few months of being stuck in moving limbo, we’ve nearly completed our big relocation and are finally getting settled into our brand new Hypnos headquarters! Our deepest apologies to anyone who’s been stuck waiting for an order this past week while we’ve been in transition, we’ll be getting them sent out to you ASAP. We’ll also be getting back to our weekly sales and special offers again starting next week, so check back soon for details!

We want to thank everyone who’s stuck around and checked in on us during this turbulent time, and we promise that everything will be back to regular business very soon!

-Mike & Lena

Hypnos HQ Moving Information

Hello everyone,

The time has come in our Hypnos Headquarters relocation when we need to take a short hiatus from posting our weekly sales. We’ve also temporarily deactivated our HYPNOS SECRET SOUNDS line, since we’ve had to pack up all our CDR printing and burning equipment. The ONLINE STORE, however, will remain open for business for now, so please feel free to place an order for any of our regular, in-stock items.

We thank you all very much for your patience and support during this extremely busy and tumultuous period of time, and we promise to return soon with more great deals for you!